Friends of ours: Ken "Tokyo Joe" Eto, Jasper Campise, John Gattuso
One of Chicago's most well known mobsters has died. He lived a much longer life than the mob intended. Ken Eto survived a mob hit back in 1983 when the bullets that were meant to kill him bounced off his head.
The failed assassination convinced Eto to cooperate with prosecutors. But now, more than 20 years after the botched hit, there is still a mystery surrounding the death of Ken Eto. ABC7 investigative reporter Chuck Goudie takes a look at the mob mystery in this Intelligence Report.
When Ken Eto lived through the gangland hit, everybody knew about it. Bullets rebounding from someone's head makes for lead story news. When Eto died more than two years ago of natural causes, almost nobody knew about it and it wasn't on the news until the I-Team reported it Wednesday afternoon. His was a life cloaked in mobdom, even ending in mystery.
"Toyko Joe," as he was known, was one of the most colorful, well-known characters of Chicago mob lore, a gambling boss who ran a $200,000 a week bolita empire.
"He was a trusted moneymaker, he'd been around for a long time and actually had kind of a reputation as a violent sort of person," said Elaine smith, former FBI agent.
Elaine Smith worked Ken Eto cases for the FBI in Chicago for more than 20 years. We interviewed her a few years ago before she retired and Eto died. In a business not known for longevity, the fact that Tokyo Joe lived to age 84 was remarkable. He was supposed to have died in an alleyway on February 10th, 1983, a few weeks before sentencing on gambling-related charges.
Outfit bosses, fearing Eto might spill mob secrets to avoid prison, ordered him killed. Hitman Jasper Campise and Cook County Deputy Sheriff John Gattuso were deployed to carry out the murder. But somehow, three .22 caliber bullets ricocheted off Eto's skull and he survived. A few months later, the bungling assassins were themselves killed.
Eto opted to become a government informant and special agent Smith interrogated him for months, then helped prepare him for federal prosecutions that put away police officials and mob bosses.
During his cooperation, Smith says Eto admitted to a role in four murders. "He didn't participate in these murders, he set the people up," Smith said.
Eto lived out his days in the federal witness security program under the assumed name Joe Tanaka from Iowa. But on January 23, 2004, he died, a mobster at heart.
"Imagine what it would be like on a day-to-day basis and always show respect and always do what they said to do, unquestioning, with people that are dumb, immoral, selfish, corrupt individuals," Smith said.
Elaine Smith attended a memorial service for Eto after he passed at his Georgia home in 2004. Even at that service, the dearly departed was known as Joe Tanaka, restaurateur. But by whatever name, Tokyo Joe left behind six children, most of them still carrying the Eto name, a name that their father couldn't live with for the last portion of his life.
Thanks to Chuck Goudie
Get the latest breaking current news and explore our Historic Archive of articles focusing on The Mafia, Organized Crime, The Mob and Mobsters, Gangs and Gangsters, Political Corruption, True Crime, and the Legal System at TheChicagoSyndicate.com
Friday, June 09, 2006
"On the Couch" with "The Sopranos" Psychiatrist
Friends of ours: Soprano Crime Family
In her memoir, Lorraine Bracco opens up about her career, her marriages and her victory over depression.
You may know psychiatrist Jennifer Melfi on HBO's hit series, "The Sopranos," but there's a lot you may not know about the actress who plays her, Lorraine Bracco. In her revealing and sometimes shocking memoir, it's Lorraine herself who's "On the Couch."
Here's an excerpt:
One
Doctor, Heal Thyself
Hope comes in many forms.
— Dr. Jennifer Melfi
The postman tried not to look at me as he handed me a large stack of envelopes. The letters were official-looking, and many were stamped with alarms that betrayed their contents: "Extremely urgent" ... "Second notice" ... "Last chance."
"My fan mail," I joked, but he didn't laugh. He looked embarrassed.
Well, who wasn’t?
"Some fans," I mumbled to myself as I added the letters to the growing mountain on my desk. I hadn’t opened a single one. Even then, I knew it was nuts. Look at me, the famous actress in her gorgeous riverfront home, living her fabulous life. Was this someone’s idea of a joke?
In their increasingly frequent correspondence, my current group of "fans" expressed hurt, disbelief, sadness, and regret. But it was still early in our relationship. They had yet to progress to anger, hostility, and retribution.
Dear Lorraine,
I'm sure it has slipped your attention that your account balance of $36,590 is six months past due. I know how busy you are, but ...
Lorraine,
I hate to bring this up, but the law firm is after me about when they can expect another payment on your past due account, which now totals $1,422,872.23 ...
Lorraine,
Your check for $940 for the hearing transcript bounced. Please send another check so I can process your request.
Lorraine,
Republic Bank will immediately commence foreclosure unless they receive a payment of $41,065 ...
Lorraine,
I hate to be a pest, but ...
The phone rang. I considered letting the machine pick up, but on the fourth ring, I grabbed the receiver.
"Lorraine?" It was my manager, Heather. Her voice sounded strained. "Have you read the script?"
"Huh? Umm, it's around here somewhere," I said vaguely.
"It's been two months," she pleaded. "They're waiting to hear."
"I know, I know." I looked around the room. Where had I put the damned script? "Heather, I don't think I can handle another script about the mob. I mean, how many Mafia roles can a girl play? If that’s all they think I'm capable of, then shoot me now."
Heather was getting tired of me. "Lorraine, will you do me a fucking favor? Will you read the script? The guy’s coming in Tuesday. He wants to meet you."
"Fine, I'll read it," I shouted back at her. "You're a pain in my ass, Heather."
"That's why they pay me the big bucks," she said, and hung up.
"Mafia television garbage," I muttered. Was my career in the toilet or what? I needed to make some real money here, and they were sending me television pilots about mobsters. Jeez. No wonder I was depressed.
I always figured there were two kinds of people in the world — the cheerleaders and the grumps. I was a cheerleader. The pep talker. Always ready with the pom-poms, always up for anything. I'm your girl. You need someone to take a carload of kids to a horse show? Call me. My energy knew no limits. I could sew a hundred sparkly beads on a costume for my daughter Margaux's school play, cohost a benefit with Bobby Kennedy for Riverkeeper, and still be on a set the next day, raring to go. But as 1996 drew to a close, my razzledazzle had definitely fizzled. The cheerleader had left the building, replaced by a listless, middle-aged woman who couldn't get out of her freaking pajamas until midafternoon.
I felt stagnant. Not calm and still like the Hudson River on a mild day, but stale, like a swamp, a place lacking a fresh infusion of life. When I first started feeling down, I'd told myself that I was worn out, and who could blame me? I'd just come through a six-year custody battle for my daughter Stella that was so horrible and so bruising I felt like I'd been beaten up. I'd won my daughter, which was a huge blessing, but lost everything else: my friends, my dignity, my reputation. Despite my work in movies like Goodfellas, I was a good two million bucks in debt, and on the verge of losing my house. I had my two beautiful daughters and a husband, yet I was as alone as I'd ever been in my life. My marriage to Eddie Olmos — only a couple of years old — was shaky at best, and it looked like I was going to be losing that, too. On my worst days, I imagined being penniless, having to pack up my daughters and move back in with my parents.
What the hell? I was an Academy Award–nominated actress. Famous, glamorous, living in the big house overlooking the Hudson River. I was the envy of the ladies in the local PTA. People stopped me in the produce aisle of the supermarket to ask for my autograph. If they could see me now. If only they knew.
When the court awarded me custody in September 1996, I didn't even have a chance to be elated. It should have been over, but of course it wasn't; there would be appeals and endless wrangling over child support, and the steady flow of bills, bills, bills. I just couldn't take it anymore. Eddie was working in Los Angeles, and our long distance marriage wasn't working at all. I needed a shoulder to lean on, and it wasn't there. In the past, I might have felt sorry for myself and had a good cry. But at this point, I was too numb to cry. At first I thought I just needed a few days to get my act together, a little time to recuperate. But a few days turned into a few weeks, then a few months. And I wasn't feeling better. I was feeling worse.
My days took on a blankness, one after the other, one day the same as the next. Thank God I wasn't a drinker, and I didn't do drugs; otherwise, I'd have been a goner for sure. Thinking back on how vulnerable I was, I really feel for people with substance-abuse problems. But my days were devoid of such drama. After Margaux and Stella left for school in the morning, I'd sit with my coffee, aimlessly paging through magazines or staring out at the river.
Sometimes I'd get a surge of energy and put a load of laundry in, then forget it until Margaux discovered her favorite shirt mildewing in the machine and screamed, "Motherrrr!" I'd call my parents: "How ya doing? Good. Fine. Fine. Okay. Fine. Love ya." I was a bad actor. I plodded along, forcing myself to go through the motions, trying to be the same old me everyone knew. But I was counting the hours until I could get back into bed and pull the covers up over my head. Sleep was my only relief.
It wasn't until later that I'd be able to put a name on what I was experiencing: depression. It's a clinical condition that afflicts thirty four million Americans at some time in their lives, which means that there were — and are — a hell of a lot of others out there feeling painfully empty and lifeless, just like me. But it took me more than a year to reach that realization. In the meantime, I didn't know what was wrong with me, and I definitely didn't know what to do about it.
Many people think depression is a big, dramatic black hole that swallows you up. But it doesn't have to be. It's not necessarily finding yourself thinking about suicide, which I never did, even on my worst days. It's something much worse, if you ask me. I'm an actress, so drama I can do. But this was the antithesis of drama. It was as though I were floating in a great thick bog of stillness, and it was that dullness I couldn't stand. The damping down of all my feelings. The absolute, complete joylessness.
Joyless or not, I knew it was extremely important to keep up appearances, so I wasted a lot of energy that I didn't really have pretending to have a sunny disposition, pasting a big, fat fake smile on my face. I had to show the world that I was okay and could be trusted. I had to prove that I could work, raise my kids, run my household, appear at charity benefits — do all the things I'd always done. At the time, I thought the worst thing in the world would be if anyone discovered how I was feeling. I mean anyone. No one could know — not my mother, not my sister, Lizzie, not my friends, or the people I worked with. So I hid in my house. I avoided talking to my friends. If anyone mentioned that I looked beat, I'd say, "Yeah, I'm tired. It's been a rough year." Everyone pretty much took me at face value and let me off the hook. People don't want to know, they really don't. Not because they don't care, but because they don't know what to do. Basically, they're afraid.
Hiding my feelings was really just a symptom of my disease. The shame you feel when you're depressed is phenomenal. You think you're weak, and nobody wants to seem weak. Nobody wants to look mental, especially in show business. As it is, if you're a forty-two-year-old woman, you're hanging on by a thread most of the time anyway. If there's a difficulty, a problem, you can just forget it. God forbid a rumor should start. A few juicy tabloid mentions and you're toast. It's no wonder it takes so long for people to get help.
My daughter Stella was ten then, full of energy and spirit. She'd come bouncing in the door from school, calling to me, "Mommy, Mommy," talking a mile a minute about her day, sharing every exciting and mundane thing that had happened since that morning. I'd put a smile on my face while listening with only half an ear and thinking about sleep. That definitely wasn't me. I adored this little girl, and normally I hung on every word out of her mouth. It was all part of a vicious cycle. The worse I felt, the less I cared, and the less I cared, the worse I felt.
Stella mostly bought my act, but my sixteen-year-old daughter Margaux wasn't so easily fooled. She saw right through me, with that terrifying teenage acuity of hers. "What's the deal with you?" she'd ask, staring at me hard. I didn't know, so I just said, "Nothing. Everything's fine." Margaux would roll her eyes, letting me know she didn't believe it for a minute. "Okay. Everything's fine," she'd say, parroting me sarcastically.
Even the animals had my number. The dogs would watch me morosely, their eyes seemingly reflecting my depression, their normally high spirits dampened by my mood. My plump, normally affectionate cat would push himself up and lumber out of the room when he saw me coming. "No way am I dealing with her crap," his disappearing tail seemed to signal.
My deepest fear was that I had permanently messed up my life. You see, although I can say I didn't exactly know what was wrong with me, I suspected plenty. Depression didn't just arrive out of the blue. It followed several years of a downhill slide, most of which was self-imposed.
In 1990, I'd been at the top of my game. I was nominated for an Academy Award for my performance in Goodfellas, and I felt as if nothing could touch me. In a business where your self-esteem is always on the line, it's impossible to describe the overwhelming relief of being successful, even if that success is fleeting. Being considered for an Academy Award is a powerful rush of affirmation in a very crazy, quixotic business.
But I had a secret that I kept well hidden behind my glittering smile. As my career became more satisfying, my personal life was failing. More than anything, I wanted a sense of loving calm at home, but this dream was shattered. It was such a wild juxtaposition: in the eyes of the world I was a movie star, and I'd have to stop a minute and think, Holy shit. They're paying me to do something that I love. But I'd get home and it was nothing but catastrophe. At this point, I'd been living with Harvey Keitel for eight years, and we were as good as married. We had the girls — my daughter Margaux, from my previous marriage, and our daughter Stella — and we'd just bought a beautiful house overlooking the Hudson River in Sneden's Landing, an exclusive enclave north of New York City. But it wasn't all tea and roses. I wondered if Harvey had the capacity for contentment. He seemed to be filled with rage — at the world, at his parents, at the industry, and at me. Some people would say it was this rage that made him such a compelling presence on the screen. Well, fine. He's a brilliant, riveting, intense actor. But we were living with it every single day. When Harvey was home, the girls and I just wanted to stay out of the way. We tiptoed around, walking on eggshells. But a lot of the time he wasn't home. And there were times, sometimes days on end, when I didn't know where the hell he was.
Thanks to MSNBC
In her memoir, Lorraine Bracco opens up about her career, her marriages and her victory over depression.
You may know psychiatrist Jennifer Melfi on HBO's hit series, "The Sopranos," but there's a lot you may not know about the actress who plays her, Lorraine Bracco. In her revealing and sometimes shocking memoir, it's Lorraine herself who's "On the Couch."
Here's an excerpt:
One
Doctor, Heal Thyself
Hope comes in many forms.
— Dr. Jennifer Melfi
The postman tried not to look at me as he handed me a large stack of envelopes. The letters were official-looking, and many were stamped with alarms that betrayed their contents: "Extremely urgent" ... "Second notice" ... "Last chance."
"My fan mail," I joked, but he didn't laugh. He looked embarrassed.
Well, who wasn’t?
"Some fans," I mumbled to myself as I added the letters to the growing mountain on my desk. I hadn’t opened a single one. Even then, I knew it was nuts. Look at me, the famous actress in her gorgeous riverfront home, living her fabulous life. Was this someone’s idea of a joke?
In their increasingly frequent correspondence, my current group of "fans" expressed hurt, disbelief, sadness, and regret. But it was still early in our relationship. They had yet to progress to anger, hostility, and retribution.
Dear Lorraine,
I'm sure it has slipped your attention that your account balance of $36,590 is six months past due. I know how busy you are, but ...
Lorraine,
I hate to bring this up, but the law firm is after me about when they can expect another payment on your past due account, which now totals $1,422,872.23 ...
Lorraine,
Your check for $940 for the hearing transcript bounced. Please send another check so I can process your request.
Lorraine,
Republic Bank will immediately commence foreclosure unless they receive a payment of $41,065 ...
Lorraine,
I hate to be a pest, but ...
The phone rang. I considered letting the machine pick up, but on the fourth ring, I grabbed the receiver.
"Lorraine?" It was my manager, Heather. Her voice sounded strained. "Have you read the script?"
"Huh? Umm, it's around here somewhere," I said vaguely.
"It's been two months," she pleaded. "They're waiting to hear."
"I know, I know." I looked around the room. Where had I put the damned script? "Heather, I don't think I can handle another script about the mob. I mean, how many Mafia roles can a girl play? If that’s all they think I'm capable of, then shoot me now."
Heather was getting tired of me. "Lorraine, will you do me a fucking favor? Will you read the script? The guy’s coming in Tuesday. He wants to meet you."
"Fine, I'll read it," I shouted back at her. "You're a pain in my ass, Heather."
"That's why they pay me the big bucks," she said, and hung up.
"Mafia television garbage," I muttered. Was my career in the toilet or what? I needed to make some real money here, and they were sending me television pilots about mobsters. Jeez. No wonder I was depressed.
I always figured there were two kinds of people in the world — the cheerleaders and the grumps. I was a cheerleader. The pep talker. Always ready with the pom-poms, always up for anything. I'm your girl. You need someone to take a carload of kids to a horse show? Call me. My energy knew no limits. I could sew a hundred sparkly beads on a costume for my daughter Margaux's school play, cohost a benefit with Bobby Kennedy for Riverkeeper, and still be on a set the next day, raring to go. But as 1996 drew to a close, my razzledazzle had definitely fizzled. The cheerleader had left the building, replaced by a listless, middle-aged woman who couldn't get out of her freaking pajamas until midafternoon.
I felt stagnant. Not calm and still like the Hudson River on a mild day, but stale, like a swamp, a place lacking a fresh infusion of life. When I first started feeling down, I'd told myself that I was worn out, and who could blame me? I'd just come through a six-year custody battle for my daughter Stella that was so horrible and so bruising I felt like I'd been beaten up. I'd won my daughter, which was a huge blessing, but lost everything else: my friends, my dignity, my reputation. Despite my work in movies like Goodfellas, I was a good two million bucks in debt, and on the verge of losing my house. I had my two beautiful daughters and a husband, yet I was as alone as I'd ever been in my life. My marriage to Eddie Olmos — only a couple of years old — was shaky at best, and it looked like I was going to be losing that, too. On my worst days, I imagined being penniless, having to pack up my daughters and move back in with my parents.
What the hell? I was an Academy Award–nominated actress. Famous, glamorous, living in the big house overlooking the Hudson River. I was the envy of the ladies in the local PTA. People stopped me in the produce aisle of the supermarket to ask for my autograph. If they could see me now. If only they knew.
When the court awarded me custody in September 1996, I didn't even have a chance to be elated. It should have been over, but of course it wasn't; there would be appeals and endless wrangling over child support, and the steady flow of bills, bills, bills. I just couldn't take it anymore. Eddie was working in Los Angeles, and our long distance marriage wasn't working at all. I needed a shoulder to lean on, and it wasn't there. In the past, I might have felt sorry for myself and had a good cry. But at this point, I was too numb to cry. At first I thought I just needed a few days to get my act together, a little time to recuperate. But a few days turned into a few weeks, then a few months. And I wasn't feeling better. I was feeling worse.
My days took on a blankness, one after the other, one day the same as the next. Thank God I wasn't a drinker, and I didn't do drugs; otherwise, I'd have been a goner for sure. Thinking back on how vulnerable I was, I really feel for people with substance-abuse problems. But my days were devoid of such drama. After Margaux and Stella left for school in the morning, I'd sit with my coffee, aimlessly paging through magazines or staring out at the river.
Sometimes I'd get a surge of energy and put a load of laundry in, then forget it until Margaux discovered her favorite shirt mildewing in the machine and screamed, "Motherrrr!" I'd call my parents: "How ya doing? Good. Fine. Fine. Okay. Fine. Love ya." I was a bad actor. I plodded along, forcing myself to go through the motions, trying to be the same old me everyone knew. But I was counting the hours until I could get back into bed and pull the covers up over my head. Sleep was my only relief.
It wasn't until later that I'd be able to put a name on what I was experiencing: depression. It's a clinical condition that afflicts thirty four million Americans at some time in their lives, which means that there were — and are — a hell of a lot of others out there feeling painfully empty and lifeless, just like me. But it took me more than a year to reach that realization. In the meantime, I didn't know what was wrong with me, and I definitely didn't know what to do about it.
Many people think depression is a big, dramatic black hole that swallows you up. But it doesn't have to be. It's not necessarily finding yourself thinking about suicide, which I never did, even on my worst days. It's something much worse, if you ask me. I'm an actress, so drama I can do. But this was the antithesis of drama. It was as though I were floating in a great thick bog of stillness, and it was that dullness I couldn't stand. The damping down of all my feelings. The absolute, complete joylessness.
Joyless or not, I knew it was extremely important to keep up appearances, so I wasted a lot of energy that I didn't really have pretending to have a sunny disposition, pasting a big, fat fake smile on my face. I had to show the world that I was okay and could be trusted. I had to prove that I could work, raise my kids, run my household, appear at charity benefits — do all the things I'd always done. At the time, I thought the worst thing in the world would be if anyone discovered how I was feeling. I mean anyone. No one could know — not my mother, not my sister, Lizzie, not my friends, or the people I worked with. So I hid in my house. I avoided talking to my friends. If anyone mentioned that I looked beat, I'd say, "Yeah, I'm tired. It's been a rough year." Everyone pretty much took me at face value and let me off the hook. People don't want to know, they really don't. Not because they don't care, but because they don't know what to do. Basically, they're afraid.
Hiding my feelings was really just a symptom of my disease. The shame you feel when you're depressed is phenomenal. You think you're weak, and nobody wants to seem weak. Nobody wants to look mental, especially in show business. As it is, if you're a forty-two-year-old woman, you're hanging on by a thread most of the time anyway. If there's a difficulty, a problem, you can just forget it. God forbid a rumor should start. A few juicy tabloid mentions and you're toast. It's no wonder it takes so long for people to get help.
My daughter Stella was ten then, full of energy and spirit. She'd come bouncing in the door from school, calling to me, "Mommy, Mommy," talking a mile a minute about her day, sharing every exciting and mundane thing that had happened since that morning. I'd put a smile on my face while listening with only half an ear and thinking about sleep. That definitely wasn't me. I adored this little girl, and normally I hung on every word out of her mouth. It was all part of a vicious cycle. The worse I felt, the less I cared, and the less I cared, the worse I felt.
Stella mostly bought my act, but my sixteen-year-old daughter Margaux wasn't so easily fooled. She saw right through me, with that terrifying teenage acuity of hers. "What's the deal with you?" she'd ask, staring at me hard. I didn't know, so I just said, "Nothing. Everything's fine." Margaux would roll her eyes, letting me know she didn't believe it for a minute. "Okay. Everything's fine," she'd say, parroting me sarcastically.
Even the animals had my number. The dogs would watch me morosely, their eyes seemingly reflecting my depression, their normally high spirits dampened by my mood. My plump, normally affectionate cat would push himself up and lumber out of the room when he saw me coming. "No way am I dealing with her crap," his disappearing tail seemed to signal.
My deepest fear was that I had permanently messed up my life. You see, although I can say I didn't exactly know what was wrong with me, I suspected plenty. Depression didn't just arrive out of the blue. It followed several years of a downhill slide, most of which was self-imposed.
In 1990, I'd been at the top of my game. I was nominated for an Academy Award for my performance in Goodfellas, and I felt as if nothing could touch me. In a business where your self-esteem is always on the line, it's impossible to describe the overwhelming relief of being successful, even if that success is fleeting. Being considered for an Academy Award is a powerful rush of affirmation in a very crazy, quixotic business.
But I had a secret that I kept well hidden behind my glittering smile. As my career became more satisfying, my personal life was failing. More than anything, I wanted a sense of loving calm at home, but this dream was shattered. It was such a wild juxtaposition: in the eyes of the world I was a movie star, and I'd have to stop a minute and think, Holy shit. They're paying me to do something that I love. But I'd get home and it was nothing but catastrophe. At this point, I'd been living with Harvey Keitel for eight years, and we were as good as married. We had the girls — my daughter Margaux, from my previous marriage, and our daughter Stella — and we'd just bought a beautiful house overlooking the Hudson River in Sneden's Landing, an exclusive enclave north of New York City. But it wasn't all tea and roses. I wondered if Harvey had the capacity for contentment. He seemed to be filled with rage — at the world, at his parents, at the industry, and at me. Some people would say it was this rage that made him such a compelling presence on the screen. Well, fine. He's a brilliant, riveting, intense actor. But we were living with it every single day. When Harvey was home, the girls and I just wanted to stay out of the way. We tiptoed around, walking on eggshells. But a lot of the time he wasn't home. And there were times, sometimes days on end, when I didn't know where the hell he was.
Thanks to MSNBC
Thursday, June 08, 2006
"Mafia Cops" to Face Life Term
Friends of ours: Luchesse Crime Family, Anthony "Gaspipe" Casso, Gambino Crime Family
Friends of mine: Louis Eppolito, Stephen Caracappa
The only thing that didn't happen at the sentencing of two former detectives convicted of moonlighting as mob hit men was the sentencing.
A packed Brooklyn courtroom heard emotional testimony Monday from five family members whose loved ones were killed by Louis Eppolito and Stephen Caracappa while the two were on the payrolls of both the Police Department and a brutal mob underboss.
Eppolito stood up to proclaim his innocence, and another man who was wrongly jailed for 19 years in a case investigated by Eppolito was thrown out of court after launching into a rant against him.
After all that, U.S. District Court Judge Jack B. Weinstein told the two defendants he would sentence them to life in prison, but delayed the formal sentencing until at least June 23, when the pair will argue that their high-priced defense attorneys did not adequately represent them.
The judge left little doubt about his opinion of the two, who were convicted April 6 of racketeering charges that included murder, kidnapping, drug dealing and obstruction of justice. "This is probably the most heinous series of crimes ever tried in this courthouse," the judge said.
The two former partners were convicted in April of participating in eight slayings between 1986 and 1990. Prosecutors said the detectives committed some of the murders themselves and delivered other victims to the Mafia to be killed.
Eppolito, 57, and Caracappa, 64, received $4,000 a month from Luchese underboss Anthony "Gaspipe" Casso, who also used them to get inside information on law enforcement investigations. Their pay went up for the murders: They earned $65,000 for one killing.
Federal prosecutor Daniel Wenner had described the case as "the bloodiest, most violent betrayal of the badge this city has ever seen."
Five victims' family members took the witness stand to testify how the murders linked to the two detectives had destroyed their lives. "You did not kill one person," said Michal Greenwald Weinstein, whose father was the pair's first victim. "You killed a family."
Eppolito, speaking for the first time in court, said he was innocent and encouraged the family members to visit him in prison. "I can hold my head up high," said Eppolito, whose father was a member of the Gambino crime family. "I never did any of these things."
Bruce Cutler, who represented Eppolito, was out of his office and unavailable for comment Monday. Caracappa's attorney, Edward Hayes, was in Los Angeles and did not respond to a message left at his Manhattan office.
During Eppolito's remarks, Barry Gibbs, who was imprisoned for almost 20 years after a wrongful conviction in a case in which Eppolito was lead investigator, lashed out at the former detective before federal marshals led him out of the courtroom. "Remember what you did to me? To me? You framed me!" he screamed as the crowd burst into cheers.
Caracappa, who retired in 1992, helped establish the Police Department's unit for Mafia murder investigations. Eppolito was a much-praised street officer despite whispers that some of his arrests came via tips from mobsters.
Eppolito also played a bit part in the mob movie "Goodfellas." After retiring in 1990, he unsuccessfully tried his hand at Hollywood scriptwriting. In his autobiography, "Mafia Cop," he portrayed himself as an honest officer from a crooked family.
The pair, both highly decorated, spent a combined 44 years on the force and eventually retired to homes on the same block in Las Vegas.
The racketeering convictions could be overturned because of the statute of limitations. The defense argued that there was no ongoing criminal enterprise while the detectives were living in Las Vegas, making a racketeering charge legally untenable.
Friends of mine: Louis Eppolito, Stephen Caracappa
The only thing that didn't happen at the sentencing of two former detectives convicted of moonlighting as mob hit men was the sentencing.
A packed Brooklyn courtroom heard emotional testimony Monday from five family members whose loved ones were killed by Louis Eppolito and Stephen Caracappa while the two were on the payrolls of both the Police Department and a brutal mob underboss.
Eppolito stood up to proclaim his innocence, and another man who was wrongly jailed for 19 years in a case investigated by Eppolito was thrown out of court after launching into a rant against him.
After all that, U.S. District Court Judge Jack B. Weinstein told the two defendants he would sentence them to life in prison, but delayed the formal sentencing until at least June 23, when the pair will argue that their high-priced defense attorneys did not adequately represent them.
The judge left little doubt about his opinion of the two, who were convicted April 6 of racketeering charges that included murder, kidnapping, drug dealing and obstruction of justice. "This is probably the most heinous series of crimes ever tried in this courthouse," the judge said.
The two former partners were convicted in April of participating in eight slayings between 1986 and 1990. Prosecutors said the detectives committed some of the murders themselves and delivered other victims to the Mafia to be killed.
Eppolito, 57, and Caracappa, 64, received $4,000 a month from Luchese underboss Anthony "Gaspipe" Casso, who also used them to get inside information on law enforcement investigations. Their pay went up for the murders: They earned $65,000 for one killing.
Federal prosecutor Daniel Wenner had described the case as "the bloodiest, most violent betrayal of the badge this city has ever seen."
Five victims' family members took the witness stand to testify how the murders linked to the two detectives had destroyed their lives. "You did not kill one person," said Michal Greenwald Weinstein, whose father was the pair's first victim. "You killed a family."
Eppolito, speaking for the first time in court, said he was innocent and encouraged the family members to visit him in prison. "I can hold my head up high," said Eppolito, whose father was a member of the Gambino crime family. "I never did any of these things."
Bruce Cutler, who represented Eppolito, was out of his office and unavailable for comment Monday. Caracappa's attorney, Edward Hayes, was in Los Angeles and did not respond to a message left at his Manhattan office.
During Eppolito's remarks, Barry Gibbs, who was imprisoned for almost 20 years after a wrongful conviction in a case in which Eppolito was lead investigator, lashed out at the former detective before federal marshals led him out of the courtroom. "Remember what you did to me? To me? You framed me!" he screamed as the crowd burst into cheers.
Caracappa, who retired in 1992, helped establish the Police Department's unit for Mafia murder investigations. Eppolito was a much-praised street officer despite whispers that some of his arrests came via tips from mobsters.
Eppolito also played a bit part in the mob movie "Goodfellas." After retiring in 1990, he unsuccessfully tried his hand at Hollywood scriptwriting. In his autobiography, "Mafia Cop," he portrayed himself as an honest officer from a crooked family.
The pair, both highly decorated, spent a combined 44 years on the force and eventually retired to homes on the same block in Las Vegas.
The racketeering convictions could be overturned because of the statute of limitations. The defense argued that there was no ongoing criminal enterprise while the detectives were living in Las Vegas, making a racketeering charge legally untenable.
Related Headlines
Anthony Casso,
Gambinos,
Louis Eppolito,
Luccheses,
Mafia Cops,
Stephen Caracappa
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Tuesday, June 06, 2006
Heard Off the Street: Talk of Bankrupt Brewer Buying Rolling Rock Doesn't Wash
Friends of ours: John "Jackie the Lackey" Cerone
Is April Fools Day being celebrated two months late this year?
Bankrupt Pittsburgh Brewing, the company that can't pay its water and sewage bills on time, that can't keep pension promises to its workers, that is eternally in hot water with vendors for not honoring its obligations, is making noises about being interested in Latrobe Brewing Co.'s endangered plant.
On June 1, Pittsburgh Brewing President Joseph Piccirilli put out a statement saying someone from the office of U.S. Rep. John Murtha, D-Johnstown, told him the congressman wants to discuss the plant with him.
"The Latrobe Brewery is a beautiful facility. I'm in the beer business and it's practically in my back yard," Mr. Piccirilli said. "We are in the midst of union negotiations and we are working very hard to turn our financial situation around. But if we can schedule something, I'll speak with the congressman."
If you're thinking this is akin to Dracula offering to give someone a transfusion, you're not too far off the mark. Mr. Piccirilli will be hard-pressed to find investors willing to finance his efforts to extract himself from the hole he's made at Pittsburgh Brewing, much less shower him with mad money to work his magic in Latrobe.
To be sure, even well-managed brewers such as Anheuser-Busch, which is purchasing Latrobe's Rolling Rock brands and moving production to Newark, N.J., have problems these days. Anheuser-Busch's decision will put about 200 workers at the Latrobe plant out of work if another buyer for the facility isn't found.
"It's a very tough time to be in the beer industry," said Brent Wilsey of Wilsey Asset Management in San Diego. "It's just not the product that's desired in this generation."
Lawrenceville-based Pittsburgh Brewing had serious issues long before Mr. Piccirilli's stewardship commenced. The company's two previous owners ended up in prison, which explains why Mr. Piccirilli's investment group had to purchase the brewer at a bankruptcy court auction in 1995.
The losing bidder was former Pittsburgh Brewing chief executive Harvey Sanford, a savvy operator credited with reviving sales of the company's I.C. Light.
"Harvey's major disadvantage as a bidder was that he understood the business and wasn't willing to overpay. He may have had a better shot if he didn't understand the business," Cris Hoel, an attorney who advised Mr. Sanford at the auction, said when his client died in 1997.
"Events have demonstrated, and may continue to demonstrate, that both the brewery and a lot of people would have been better off if Harvey had been able to acquire the brewery," Mr. Hoel stated in the Post-Gazette's obituary on Mr. Sanford.
Mr. Hoel was part of a group of investors who hoped to acquire the Latrobe plant and keep brewing Rolling Rock there. Like Mr. Sanford, they were outbid, but not necessarily outsmarted. Like the collar on a good beer, Mr. Hoel's assessment has held up well in the nine years since his client died.
Changing consumer tastes would have challenged Mr. Sanford's management skills. But there's little doubt he would have taken a more disciplined approach than Mr. Piccirilli, the son of a garbage hauling company owner. Major banks would have financed Mr. Sanford's ownership while Mr. Piccirilli is being bankrolled by lawyer Jack Cerone, the son of the former Chicago Mafia underboss John "Jackie the Lackey" Cerone.
A recent court filing by one of Pittsburgh Brewing's creditors illustrates Mr. Piccirilli's management practices. MeadWestvaco leased some packaging equipment to the brewery. When the lease expired at the end of February, Pittsburgh Brewing failed to make a required payment of about $64,300. Moreover, it kept the equipment and has not made monthly rent payments of $4,500 since then, MeadWestvaco alleges in a May 23 filing. The situation's the same for other equipment covered by a separate lease, the supplier stated in a motion seeking payment.
Does this sound like someone with sufficient financial wherewithal and the requisite business acumen to be considered a viable steward for the Latrobe Brewery? Should someone who can't make monthly payments of $4,500 -- not to mention Pittsburgh Brewing's more glaring delinquencies -- be trusted with the future of the Latrobe workers whose jobs are on the line?
Then again, perhaps investors would finance a Pittsburgh Brewing acquisition of the Latrobe plant based solely on the $9,000 loan payments Mr. Piccirilli faithfully sends to Mr. Cerone each week.
Cindy Abram, a spokeswoman for Rep. Murtha, said media reports that her boss is brokering a deal between Latrobe and Pittsburgh Brewing are exaggerated. She acknowledged there have been phone discussions with interested parties, including Pittsburgh Brewing, but said they have been "very, very preliminary."
The government officials diligently trying to secure the future of the Latrobe Brewing plant will consider offers only from responsible parties. Gov. Ed Rendell has asked Renaissance Partners, an investment banking and business consulting firm, to assess the situation and make recommendations.
If that process is as sober as it should be, it's hard to imagine the fate of the Latrobe plant being entrusted to someone with the track record Mr. Piccirilli has made for himself at Pittsburgh Brewing.
Thanks to Len Boselovic
Is April Fools Day being celebrated two months late this year?
Bankrupt Pittsburgh Brewing, the company that can't pay its water and sewage bills on time, that can't keep pension promises to its workers, that is eternally in hot water with vendors for not honoring its obligations, is making noises about being interested in Latrobe Brewing Co.'s endangered plant.
On June 1, Pittsburgh Brewing President Joseph Piccirilli put out a statement saying someone from the office of U.S. Rep. John Murtha, D-Johnstown, told him the congressman wants to discuss the plant with him.
"The Latrobe Brewery is a beautiful facility. I'm in the beer business and it's practically in my back yard," Mr. Piccirilli said. "We are in the midst of union negotiations and we are working very hard to turn our financial situation around. But if we can schedule something, I'll speak with the congressman."
If you're thinking this is akin to Dracula offering to give someone a transfusion, you're not too far off the mark. Mr. Piccirilli will be hard-pressed to find investors willing to finance his efforts to extract himself from the hole he's made at Pittsburgh Brewing, much less shower him with mad money to work his magic in Latrobe.
To be sure, even well-managed brewers such as Anheuser-Busch, which is purchasing Latrobe's Rolling Rock brands and moving production to Newark, N.J., have problems these days. Anheuser-Busch's decision will put about 200 workers at the Latrobe plant out of work if another buyer for the facility isn't found.
"It's a very tough time to be in the beer industry," said Brent Wilsey of Wilsey Asset Management in San Diego. "It's just not the product that's desired in this generation."
Lawrenceville-based Pittsburgh Brewing had serious issues long before Mr. Piccirilli's stewardship commenced. The company's two previous owners ended up in prison, which explains why Mr. Piccirilli's investment group had to purchase the brewer at a bankruptcy court auction in 1995.
The losing bidder was former Pittsburgh Brewing chief executive Harvey Sanford, a savvy operator credited with reviving sales of the company's I.C. Light.
"Harvey's major disadvantage as a bidder was that he understood the business and wasn't willing to overpay. He may have had a better shot if he didn't understand the business," Cris Hoel, an attorney who advised Mr. Sanford at the auction, said when his client died in 1997.
"Events have demonstrated, and may continue to demonstrate, that both the brewery and a lot of people would have been better off if Harvey had been able to acquire the brewery," Mr. Hoel stated in the Post-Gazette's obituary on Mr. Sanford.
Mr. Hoel was part of a group of investors who hoped to acquire the Latrobe plant and keep brewing Rolling Rock there. Like Mr. Sanford, they were outbid, but not necessarily outsmarted. Like the collar on a good beer, Mr. Hoel's assessment has held up well in the nine years since his client died.
Changing consumer tastes would have challenged Mr. Sanford's management skills. But there's little doubt he would have taken a more disciplined approach than Mr. Piccirilli, the son of a garbage hauling company owner. Major banks would have financed Mr. Sanford's ownership while Mr. Piccirilli is being bankrolled by lawyer Jack Cerone, the son of the former Chicago Mafia underboss John "Jackie the Lackey" Cerone.
A recent court filing by one of Pittsburgh Brewing's creditors illustrates Mr. Piccirilli's management practices. MeadWestvaco leased some packaging equipment to the brewery. When the lease expired at the end of February, Pittsburgh Brewing failed to make a required payment of about $64,300. Moreover, it kept the equipment and has not made monthly rent payments of $4,500 since then, MeadWestvaco alleges in a May 23 filing. The situation's the same for other equipment covered by a separate lease, the supplier stated in a motion seeking payment.
Does this sound like someone with sufficient financial wherewithal and the requisite business acumen to be considered a viable steward for the Latrobe Brewery? Should someone who can't make monthly payments of $4,500 -- not to mention Pittsburgh Brewing's more glaring delinquencies -- be trusted with the future of the Latrobe workers whose jobs are on the line?
Then again, perhaps investors would finance a Pittsburgh Brewing acquisition of the Latrobe plant based solely on the $9,000 loan payments Mr. Piccirilli faithfully sends to Mr. Cerone each week.
Cindy Abram, a spokeswoman for Rep. Murtha, said media reports that her boss is brokering a deal between Latrobe and Pittsburgh Brewing are exaggerated. She acknowledged there have been phone discussions with interested parties, including Pittsburgh Brewing, but said they have been "very, very preliminary."
The government officials diligently trying to secure the future of the Latrobe Brewing plant will consider offers only from responsible parties. Gov. Ed Rendell has asked Renaissance Partners, an investment banking and business consulting firm, to assess the situation and make recommendations.
If that process is as sober as it should be, it's hard to imagine the fate of the Latrobe plant being entrusted to someone with the track record Mr. Piccirilli has made for himself at Pittsburgh Brewing.
Thanks to Len Boselovic
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