Friends of ours: Harry Aleman
Friends of mine: Robert Charles Cruz
Just days after his cousin, reputed mob hit man Harry Aleman, was sentenced for a murder, Robert Charles Cruz disappeared from his Kildeer home.
For nearly 10 years, authorities suspected Cruz had purposely vanished, but his credit cards and bank accounts never were touched. Last week, construction crews digging new sewers for a townhouse development in unincorporated DuPage County came across the body of a man wrapped in tarpaulin and carpet, buried 8 1/2 feet down. On Wednesday, the DuPage County coroner's office publicly identified that the man as Robert Charles Cruz, 50. He had been reported missing on Dec. 4, 1997.
Cruz's body was found just 50 yards from where two other organized crime-connected bodies were found in 1988. An informant had told the FBI there was a mob burial ground in DuPage County near the home of former mob syndicate member Joseph Jerome Scalise.
At the time, an FBI task force descended on the area near Bluff Road and Illinois Highway 83 for five months and found the remains of Robert Anthony Hatridge, a minor associate of Gerald Scarpelli, a crime syndicate killer-turned-informant; and Mark Oliver, another minor organized crime figure.
Now, the FBI and DuPage County authorities are investigating Cruz's murder. Law enforcement sources said it appeared Cruz had been shot.
Cruz's body was identified through fingerprints and through tattoos on his arm, said Tom Simon, special agent and spokesman for the FBI. Family members have been notified, he said.
In addition to his familial relationship to Aleman, who remains in prison, Cruz had his own brushes with trouble. He spent 14 years on Death Row in Arizona before his conviction for hiring three men to kill a Phoenix businessman and his mother-in-law on New Year's Eve in 1980 was overturned and a new trial ordered. .
Prosecutors at the time said Cruz hired the men, including two from Chicago, to murder Patrick Redmond because the man refused to sell an interest in his Phoenix printing shop to Cruz, who wanted to use it to launder money from Las Vegas connections. Redmond's 70-year-old mother-in-law was visiting and died after her throat was cut.
Cruz was tried four more times. He was acquitted in 1995 after the jury decided the state's primary witness, a participant in the killings, was unreliable.
Cruz later moved to Kildeer and was a fixture at Harry Aleman's 1997 trial for the murder of a Teamsters' union official. Cruz sat every day in the courtroom where the attorney in his Arizona appeal, Kevin McNally, defended Aleman.
Cruz had been instrumental in Aleman's decision to change attorneys and hire McNally just before the trial. Days after Aleman was sentenced to 100 to 300 years in prison, Cruz disappeared. He had last been seen hanging Christmas lights from the gutters of his home.
Thanks to Angela Rozas and Maurice Possley
Friday, March 30, 2007
Thursday, March 29, 2007
Mob Hit Man Harry Aleman's Cousin Found in Mafia Graveyard
Construction workers laying sewer pipe found the skeletal remains of a former death row inmate with mob ties at a suburban Chicago site about 50 yards from where the bodies of two other men connected to organized crime were found in 1988.
The DuPage County coroner's office identified the latest body
, found wrapped in a blue tarp, as Robert Charles Cruz. FBI spokesman Tom Simon said the body was identified through fingerprints and tattoos.
Cruz was 50 when he disappeared from his Kildeer home on Dec. 4, 1997. His cousin, reputed mob hit man Harry Aleman, had just been sentence to 100 to 300 years in prison for the 1972 murder of a Teamsters official. Cruz had been in the courtroom each day of Aleman's 1997 trial.
Cruz had also spent 14 years on death row in Arizona for allegedly hiring three men to kill a Phoenix businessman and his mother-in-law. That conviction was overturned in 1980 and a new trial was ordered. Cruz was tried four more times and acquitted in 1995.
The construction workers found Cruz's remains more than eight feet underground while laying sewer pipes for a new townhouse development.
Federal and county authorities are investigating Cruz's death as a homicide.
The other two bodies found in the area were located after an informant told the FBI there was a mob burial ground in DuPage County near the home of a former mob syndicate member. FBI agents found the remains of Robert Anthony Hatridge and Mark Oliver, both described as associates of organized crime figures.
The DuPage County coroner's office identified the latest body
, found wrapped in a blue tarp, as Robert Charles Cruz. FBI spokesman Tom Simon said the body was identified through fingerprints and tattoos.Cruz was 50 when he disappeared from his Kildeer home on Dec. 4, 1997. His cousin, reputed mob hit man Harry Aleman, had just been sentence to 100 to 300 years in prison for the 1972 murder of a Teamsters official. Cruz had been in the courtroom each day of Aleman's 1997 trial.
Cruz had also spent 14 years on death row in Arizona for allegedly hiring three men to kill a Phoenix businessman and his mother-in-law. That conviction was overturned in 1980 and a new trial was ordered. Cruz was tried four more times and acquitted in 1995.
The construction workers found Cruz's remains more than eight feet underground while laying sewer pipes for a new townhouse development.
Federal and county authorities are investigating Cruz's death as a homicide.
The other two bodies found in the area were located after an informant told the FBI there was a mob burial ground in DuPage County near the home of a former mob syndicate member. FBI agents found the remains of Robert Anthony Hatridge and Mark Oliver, both described as associates of organized crime figures.
Wednesday, March 28, 2007
Sopranos Looking to do a Job
Friends of ours: Soprano Crime Family
The cast of "The Sopranos" is less worried about getting whacked than getting new jobs once the series is over in June.
At last night's humungous premiere at Radio City Music Hall, followed by a party that swamped Rockefeller Center, that seemed to be the uppermost thought in the minds of everyone from actors to crew.
Nevertheless, James Gandolfini, whose work has been so stellar as Tony Soprano, told me he's taking a year off after the show wraps. The final episode is still being worked on. "At least a year," he joked with me.
Gandolfini's running joke is that while he has been on the show, every movie he made has been so bad that it has wrecked the career of the star he "supported" in each film — think Ben Affleck.
In the next couple of weeks, he opens with John Travolta in a film that's being dumped, essentially. It's called "Lonely Hearts" and, well, fugeddaboutit. "That's right," Gandolfini laughed when we recalled the old joke. But it's also possible that he was so successful with the TV series, he may have to wait for success in films, I offered. "I hope you're right," he said. "But I'm still taking the time off."
Lorraine Bracco laughed heartily about the future. "They love you when you're on top. But wait 'til you're on the bottom," she cried.
Bracco's had a long enough career to know this isn't the end, but it may take a while to get over "The Sopranos." Most of her family, except her ailing mom, came to the premiere: her dad, two daughters, sister and brother-in-law, actor Aidan Quinn.
There were plenty of other Sopranos, dead and alive, all at Rockefeller Center, including Edie Falco, who left the party early to make a morning shoot for the show; Vince Curatola, who does such a magnificent job as Johnny Sack, head of the New York mob; Michael Imperioli, who plays Christopher; Drea de Matteo, whose Adrianna is still being discussed; Jamie-Lynn Sigler; Robert Iler; Dominic Chianese; Steve Schirippa; Aida Turturro; Steve Buscemi; and "Little" Steven Van Zandt, aka Silvio.
Curatola, by the way, doesn't have to worry about future work. He's just made an independent movie called "Frame of Mind" with "Law & Order" star Chris Noth. And he still sings occasionally with the rock group Chicago.
Buscemi, of course, is always busy. And Van Zandt is putting together a TV pilot for his "Underground Garage" station that he does on Sirius Satellite Radio — that is, when he's not playing in Bruce Springsteen's E Street Band. Imperioli told me he's making movies in Portugal and Iceland.
Thanks to Roger Friedman
The cast of "The Sopranos" is less worried about getting whacked than getting new jobs once the series is over in June.
At last night's humungous premiere at Radio City Music Hall, followed by a party that swamped Rockefeller Center, that seemed to be the uppermost thought in the minds of everyone from actors to crew.Nevertheless, James Gandolfini, whose work has been so stellar as Tony Soprano, told me he's taking a year off after the show wraps. The final episode is still being worked on. "At least a year," he joked with me.
Gandolfini's running joke is that while he has been on the show, every movie he made has been so bad that it has wrecked the career of the star he "supported" in each film — think Ben Affleck.
In the next couple of weeks, he opens with John Travolta in a film that's being dumped, essentially. It's called "Lonely Hearts" and, well, fugeddaboutit. "That's right," Gandolfini laughed when we recalled the old joke. But it's also possible that he was so successful with the TV series, he may have to wait for success in films, I offered. "I hope you're right," he said. "But I'm still taking the time off."
Lorraine Bracco laughed heartily about the future. "They love you when you're on top. But wait 'til you're on the bottom," she cried.
Bracco's had a long enough career to know this isn't the end, but it may take a while to get over "The Sopranos." Most of her family, except her ailing mom, came to the premiere: her dad, two daughters, sister and brother-in-law, actor Aidan Quinn.
There were plenty of other Sopranos, dead and alive, all at Rockefeller Center, including Edie Falco, who left the party early to make a morning shoot for the show; Vince Curatola, who does such a magnificent job as Johnny Sack, head of the New York mob; Michael Imperioli, who plays Christopher; Drea de Matteo, whose Adrianna is still being discussed; Jamie-Lynn Sigler; Robert Iler; Dominic Chianese; Steve Schirippa; Aida Turturro; Steve Buscemi; and "Little" Steven Van Zandt, aka Silvio.
Curatola, by the way, doesn't have to worry about future work. He's just made an independent movie called "Frame of Mind" with "Law & Order" star Chris Noth. And he still sings occasionally with the rock group Chicago.
Buscemi, of course, is always busy. And Van Zandt is putting together a TV pilot for his "Underground Garage" station that he does on Sirius Satellite Radio — that is, when he's not playing in Bruce Springsteen's E Street Band. Imperioli told me he's making movies in Portugal and Iceland.
Thanks to Roger Friedman
Sopranos Comes to an End
“You don’t listen to the president? We’re gonna mop the floor with the whole f***in’ world. The whole world’s gonna be under our control. So what are you worked up about?” —Christopher Moltisanti of “The Sopranos”
Everything comes to an end.”
These words, delivered by an irate Edie Falco, are used in the promo death knell for one of the most critically acclaimed and beloved television series of all time, HBO’s “The Sopranos.” The fictional story of a likeable, northern New Jersey crime family ends this spring with the final nine episodes of season six beginning April 8.
What will happen to mob boss Tony Soprano and his family? How about his colorful henchmen, despicable for their brutal violence and racism one moment, and lovable for their humor, resourcefulness and camaraderie the next? Surely, bets are already being placed on who will end up in prison and who will have to go (in the Mafia sense). One thing is almost certain: More than a few HBO subscribers will be going. The program has been a major draw since it first aired in 1999. How do you top one of the greatest pop-culture success stories of the last 25 years?
Show creator David Chase (born David DeCesare) is no stranger to thought-provoking, classic television, having produced episodes for “The Rockford Files” and “Northern Exposure.” But as ruthless and violent as it has been, “The Sopranos” is his masterpiece. People may argue over the best of the six seasons, but the fact remains that this hard-hitting show has always been better written, better acted and better conceived than anything else on television. There is simply nothing like it.
What began as a tongue-in-cheek glimpse into our long-running fascination with Italian-American Mafia culture — from Coppola’s “Godfather” series through Scorsese’s real best picture winner, “Good Fellas” — has continued to evolve by delving deeper into the psychological lives of its characters, usually by way of Freudian themes, Byzantine political plots and philosophical nuggets from the Far East. It’s a postmodern soap opera, colored by Italian-American cultural traditions and populated with anti-heroes, intelligent professionals and plenty of existential despair. As an organized crime reporter for the Philadelphia Inquirer once wrote, “If Shakespeare were alive today, he’d be writing for ‘The Sopranos’”
Sometimes, though, I still wonder why I love Mafia tales. These characters are serial murderers for the most part, scary people most of us wouldn’t want to meet in daylight, much less a darkened strip club. Normally I’m not a huge fan of television either, especially the stuff with commercials (which HBO programs thankfully do not have).
I was about to write my fascination off to morbid curiosity, or the Wild West appeal of modern-day lawless cowboys, when I ran across a recent interview with activist/intellectual Noam Chomsky that made me wonder again why so many of us accept mobsters as sympathetic characters.
As Chomsky points out, the U.S. government operates exactly like the mob in its international relations and has for a long time — though with far more money made, and far more lives lost. Specifically, he was discussing our foreign policy strategies concerning Vietnam, Cuba, Venezuela and Iran (which could be in store for some Gulf of Tonkin incident any day now). Speaking of Cuba, Chomsky notes:
“A very large majority of the U.S. population is in favor of establishing diplomatic relations with Cuba and has been for a long time, with some fluctuations. And even part of the business world is in favor of it too. But the government won’t allow it. It’s attributed to the Florida vote but I don’t think that’s much of an explanation. I
think it has to do with a feature of world affairs that is insufficiently appreciated. International affairs is very much run like the Mafia. The godfather does not accept disobedience, even from a small storekeeper who doesn’t pay his protection money. You have to have obedience, otherwise the idea can spread that you don’t have to listen to the orders and it can spread to important places.”
I realize “The Sopranos” has poked fun at this analogy between organized crime in high and low places. And the show’s political awareness, like much of the country, has mushroomed since 9/11. Those following this final season are likely expecting some explosive plot thread involving the suspiciously quiet Middle Easterners who’ve been hanging at the Bada Bing and buying up guns. Yet the similarities between La Cosa Nostra and our foreign policy dons are uncanny indeed.
For instance: Back in the ’70s, the United States overthrew the parliamentary government of Iran, installed a brutal dictator (the shah) and proceeded to help him develop the same nuclear energy we now worry about. When the shah was overthrown, we punished Iran for its disobedience by supporting Saddam Hussein in his war on Iran. More recently, we had to punish Saddam because he wasn’t following orders (yes, the strategic control of oil is the chief reason for our current predicament, for those of you still deluded enough to think it was for the Iraqi people’s sake or keeping terrorists out of America’s shopping malls or whatever excuse Bush is peddling this week).
But what’s really scary to ponder is how the U.S. role as world mob boss will play out with China — or the Johnny “Sack” New York mob boss character, if you’re a “Sopranos” fan. More from Chomsky:
“You can imagine a kind of a loose Shi’ite alliance in Iraq, Saudi Arabia, and Iran, controlling most of the world’s oil and independent of the United States. And much worse, although Europe can be intimidated by the United States, China can’t. It’s one of the main reasons why China is considered a threat. We’re back to the Mafia principle. … If the Middle East oil resources around the Gulf, which are the main ones in the world, if they link up to the Asian grid, the United States is really a second-rate power.”
Ever in denial, Tony Soprano admits that everything he does — all of his horrible crimes — he does to provide for his family. Likewise, it is an operating assumption too seldom challenged in the U.S. media that our leaders act only from noble reasons. “Ugatz!” as Paulie “Walnuts” might say.
I’ve greatly enjoyed watching “The Sopranos” these last eight years. What I probably won’t enjoy is the world stage drama from our bought-and-paid-for Mafia captains in the White House over the next 20 years.
Like Carmela tells Tony: “Everything comes to an end.”
Thanks to Brent Baldwin
Everything comes to an end.”
These words, delivered by an irate Edie Falco, are used in the promo death knell for one of the most critically acclaimed and beloved television series of all time, HBO’s “The Sopranos.” The fictional story of a likeable, northern New Jersey crime family ends this spring with the final nine episodes of season six beginning April 8.
What will happen to mob boss Tony Soprano and his family? How about his colorful henchmen, despicable for their brutal violence and racism one moment, and lovable for their humor, resourcefulness and camaraderie the next? Surely, bets are already being placed on who will end up in prison and who will have to go (in the Mafia sense). One thing is almost certain: More than a few HBO subscribers will be going. The program has been a major draw since it first aired in 1999. How do you top one of the greatest pop-culture success stories of the last 25 years?
Show creator David Chase (born David DeCesare) is no stranger to thought-provoking, classic television, having produced episodes for “The Rockford Files” and “Northern Exposure.” But as ruthless and violent as it has been, “The Sopranos” is his masterpiece. People may argue over the best of the six seasons, but the fact remains that this hard-hitting show has always been better written, better acted and better conceived than anything else on television. There is simply nothing like it.
What began as a tongue-in-cheek glimpse into our long-running fascination with Italian-American Mafia culture — from Coppola’s “Godfather” series through Scorsese’s real best picture winner, “Good Fellas” — has continued to evolve by delving deeper into the psychological lives of its characters, usually by way of Freudian themes, Byzantine political plots and philosophical nuggets from the Far East. It’s a postmodern soap opera, colored by Italian-American cultural traditions and populated with anti-heroes, intelligent professionals and plenty of existential despair. As an organized crime reporter for the Philadelphia Inquirer once wrote, “If Shakespeare were alive today, he’d be writing for ‘The Sopranos’”
Sometimes, though, I still wonder why I love Mafia tales. These characters are serial murderers for the most part, scary people most of us wouldn’t want to meet in daylight, much less a darkened strip club. Normally I’m not a huge fan of television either, especially the stuff with commercials (which HBO programs thankfully do not have).
I was about to write my fascination off to morbid curiosity, or the Wild West appeal of modern-day lawless cowboys, when I ran across a recent interview with activist/intellectual Noam Chomsky that made me wonder again why so many of us accept mobsters as sympathetic characters.
As Chomsky points out, the U.S. government operates exactly like the mob in its international relations and has for a long time — though with far more money made, and far more lives lost. Specifically, he was discussing our foreign policy strategies concerning Vietnam, Cuba, Venezuela and Iran (which could be in store for some Gulf of Tonkin incident any day now). Speaking of Cuba, Chomsky notes:
“A very large majority of the U.S. population is in favor of establishing diplomatic relations with Cuba and has been for a long time, with some fluctuations. And even part of the business world is in favor of it too. But the government won’t allow it. It’s attributed to the Florida vote but I don’t think that’s much of an explanation. I
think it has to do with a feature of world affairs that is insufficiently appreciated. International affairs is very much run like the Mafia. The godfather does not accept disobedience, even from a small storekeeper who doesn’t pay his protection money. You have to have obedience, otherwise the idea can spread that you don’t have to listen to the orders and it can spread to important places.”
I realize “The Sopranos” has poked fun at this analogy between organized crime in high and low places. And the show’s political awareness, like much of the country, has mushroomed since 9/11. Those following this final season are likely expecting some explosive plot thread involving the suspiciously quiet Middle Easterners who’ve been hanging at the Bada Bing and buying up guns. Yet the similarities between La Cosa Nostra and our foreign policy dons are uncanny indeed.
For instance: Back in the ’70s, the United States overthrew the parliamentary government of Iran, installed a brutal dictator (the shah) and proceeded to help him develop the same nuclear energy we now worry about. When the shah was overthrown, we punished Iran for its disobedience by supporting Saddam Hussein in his war on Iran. More recently, we had to punish Saddam because he wasn’t following orders (yes, the strategic control of oil is the chief reason for our current predicament, for those of you still deluded enough to think it was for the Iraqi people’s sake or keeping terrorists out of America’s shopping malls or whatever excuse Bush is peddling this week).
But what’s really scary to ponder is how the U.S. role as world mob boss will play out with China — or the Johnny “Sack” New York mob boss character, if you’re a “Sopranos” fan. More from Chomsky:
“You can imagine a kind of a loose Shi’ite alliance in Iraq, Saudi Arabia, and Iran, controlling most of the world’s oil and independent of the United States. And much worse, although Europe can be intimidated by the United States, China can’t. It’s one of the main reasons why China is considered a threat. We’re back to the Mafia principle. … If the Middle East oil resources around the Gulf, which are the main ones in the world, if they link up to the Asian grid, the United States is really a second-rate power.”
Ever in denial, Tony Soprano admits that everything he does — all of his horrible crimes — he does to provide for his family. Likewise, it is an operating assumption too seldom challenged in the U.S. media that our leaders act only from noble reasons. “Ugatz!” as Paulie “Walnuts” might say.
I’ve greatly enjoyed watching “The Sopranos” these last eight years. What I probably won’t enjoy is the world stage drama from our bought-and-paid-for Mafia captains in the White House over the next 20 years.
Like Carmela tells Tony: “Everything comes to an end.”
Thanks to Brent Baldwin
Tuesday, March 27, 2007
New Jersey Landscape Altered by The Sopranos
Friends of ours: Soprano Crime Family
The guy who runs the real-life Bada Bing is going to miss "The Sopranos," even if he thinks the show may have lowered his club's image a naughty notch or two.
The North Caldwell woman who cooked meals for the cast and crew while her home was used for "Sopranos" location shots is going to miss making baked ziti and chicken soup for her favorite performers.
Meanwhile, one of the mob show's most vocal critics is happy "The Sopranos," which filmed its last episode this week, will soon be history. "Am I glad they're gone? Yes," said Manny Alfano, director of the Italian-American One Voice Coalition. But, Alfano is resigned to the show's A&E re-runs -- and more TV shows and movies that he says unfairly portray Italian-Americans. "There will always be something to take its place."
"The Sopranos" may die off in several months, as may some of its main characters, but whether there will ever be another phenomenon to take its place is debatable.
"I don't know if we'll ever see something like this again," said David W. Schoner Jr., production coordinator for the New Jersey Motion Picture and Television Commission.
New Jersey, the nation's most mocked, maligned and misunderstood state, received an image boost from "The Sopranos," said Schoner, even if the show did center around a Jersey mob family who often did business with brute force. "The great thing about the show was that it was New Jersey," Schoner added. "There was this unabashed shouting from the mountain: 'This is New Jersey!'"
The other great thing about the show is the $60 million-plus it pumped into the state's economy for things like filming fees, meals, food, lumber and local hiring, according to Schoner. "'The Sopranos' increased the film industry's awareness of the state," Schoner said. "We have been considered for and have gotten projects because of 'The Sopranos.' They've raised our profile as a location for filming."
Those whose have lent their businesses and homes for location filming are sorry to see "The Sopranos" wrap up.
Satin Dolls in Lodi, the stand-in for the Bada Bing strip club, became "the most popular club in the country" due to the HBO series, according to general manager Nick D'Urso. "It certainly made us a lot more popular," D'Urso said. "It really gave us an image. We were a high-line club. Now we were the Bada Bing."
Hanging out at the "Bing" was not always a wise career move on "The Sopranos." One dancer in the show, Tracee, was killed outside the club and various "beatin's" were administered inside. The real-life Satin Dolls is a much serene, says D'Urso, who noted that the Bada Bing will continue to be in the spotlight during the final season. "They filmed more in the club this season than any other," he said.
One business that may continue to profit, even after "The Sopranos" is gone, is On Location Tours, which has conducted tours of "Soprano" locations sites since 2001.
"When 'Sex and the City' ended, the numbers for our 'Sex and the City' tours tripled," said Cathy Wilke, director of marketing for On Location Tours. "People go into withdrawal when a show ends. (With) 'The Sopranos'... on A&E, we'll get a whole new audience." (Reruns of the series, with the language and other content toned down, started airing on the basic cable channel in January.)
More than 15,000 people from 40 countries have taken the bus tours, described as a "four-hour tour through Sopranoland."
Towns across New Jersey have reaped the benefits of "Sopranos" location filming. Scenes have been shot in 40-plus communities, "from Ramsey to Asbury Park," according to Regina Heyman, the show's location manager.
Add Atlantic City to the list; the Borgata will appear in an episode this season.
Filming fees can add up. Kearny has been a popular "Sopranos" backdrop. Scenes have been shot inside and outside the Irish-American Association, which takes down its Irish flag and puts up an Italian flag during filming. The association is next door to the building standing in for the fictional Satriale's Pork Store, a hangout for Tony and his crew.
The association has earned $20,000 in rental fees over the years, according to past vice president Richard Dunleavy. The town itself has collected permit fees of $76,650.
Businesses have been paid for shutting down to accommodate a "Sopranos" shoot. Clear Eyes RX in Wayne, for example, was compensated $6,000 for filming. And then there are those who have invited the show into their homes.
Deborah Del Vecchio, for one, is going to miss cooking for everyone's favorite Jersey mob family. Over the years, her three-level North Caldwell home has served as the "home" of several "Sopranos" characters -- Janice Soprano, Johnny Sack, Silvio Dante and Patsy Parisi. "I always cook for the cast and crew," Del Vecchio said. "Antipasto, baked ziti -- they all love my homemade chicken soup," especially Aida Turturro, who plays Janice.
Filming was last done in her home a week ago, and Del Vecchio reported no gunshots were fired.
Initially, her home was in the running to be Tony Soprano's house, but the ducks ruined it -- or the lack of ducks. Tony liked the ducks in his swimming pool, and though there were ducks in the Del Vecchios' pool, construction on the house next door drove them away. So another house was chosen for the mob don's dwelling.
Del Vecchio's husband, Richard, has his own fond memories of "The Sopranos." He appeared in one episode as a Bada Bing patron. "All I know is that he was smiling for three days," Del Vecchio said, laughing."
Thanks to Peter Genovese
The guy who runs the real-life Bada Bing is going to miss "The Sopranos," even if he thinks the show may have lowered his club's image a naughty notch or two.
The North Caldwell woman who cooked meals for the cast and crew while her home was used for "Sopranos" location shots is going to miss making baked ziti and chicken soup for her favorite performers.
Meanwhile, one of the mob show's most vocal critics is happy "The Sopranos," which filmed its last episode this week, will soon be history. "Am I glad they're gone? Yes," said Manny Alfano, director of the Italian-American One Voice Coalition. But, Alfano is resigned to the show's A&E re-runs -- and more TV shows and movies that he says unfairly portray Italian-Americans. "There will always be something to take its place."
"The Sopranos" may die off in several months, as may some of its main characters, but whether there will ever be another phenomenon to take its place is debatable.
"I don't know if we'll ever see something like this again," said David W. Schoner Jr., production coordinator for the New Jersey Motion Picture and Television Commission.
New Jersey, the nation's most mocked, maligned and misunderstood state, received an image boost from "The Sopranos," said Schoner, even if the show did center around a Jersey mob family who often did business with brute force. "The great thing about the show was that it was New Jersey," Schoner added. "There was this unabashed shouting from the mountain: 'This is New Jersey!'"
The other great thing about the show is the $60 million-plus it pumped into the state's economy for things like filming fees, meals, food, lumber and local hiring, according to Schoner. "'The Sopranos' increased the film industry's awareness of the state," Schoner said. "We have been considered for and have gotten projects because of 'The Sopranos.' They've raised our profile as a location for filming."
Those whose have lent their businesses and homes for location filming are sorry to see "The Sopranos" wrap up.
Satin Dolls in Lodi, the stand-in for the Bada Bing strip club, became "the most popular club in the country" due to the HBO series, according to general manager Nick D'Urso. "It certainly made us a lot more popular," D'Urso said. "It really gave us an image. We were a high-line club. Now we were the Bada Bing."
Hanging out at the "Bing" was not always a wise career move on "The Sopranos." One dancer in the show, Tracee, was killed outside the club and various "beatin's" were administered inside. The real-life Satin Dolls is a much serene, says D'Urso, who noted that the Bada Bing will continue to be in the spotlight during the final season. "They filmed more in the club this season than any other," he said.
One business that may continue to profit, even after "The Sopranos" is gone, is On Location Tours, which has conducted tours of "Soprano" locations sites since 2001.
"When 'Sex and the City' ended, the numbers for our 'Sex and the City' tours tripled," said Cathy Wilke, director of marketing for On Location Tours. "People go into withdrawal when a show ends. (With) 'The Sopranos'... on A&E, we'll get a whole new audience." (Reruns of the series, with the language and other content toned down, started airing on the basic cable channel in January.)
More than 15,000 people from 40 countries have taken the bus tours, described as a "four-hour tour through Sopranoland."
Towns across New Jersey have reaped the benefits of "Sopranos" location filming. Scenes have been shot in 40-plus communities, "from Ramsey to Asbury Park," according to Regina Heyman, the show's location manager.
Add Atlantic City to the list; the Borgata will appear in an episode this season.
Filming fees can add up. Kearny has been a popular "Sopranos" backdrop. Scenes have been shot inside and outside the Irish-American Association, which takes down its Irish flag and puts up an Italian flag during filming. The association is next door to the building standing in for the fictional Satriale's Pork Store, a hangout for Tony and his crew.
The association has earned $20,000 in rental fees over the years, according to past vice president Richard Dunleavy. The town itself has collected permit fees of $76,650.
Businesses have been paid for shutting down to accommodate a "Sopranos" shoot. Clear Eyes RX in Wayne, for example, was compensated $6,000 for filming. And then there are those who have invited the show into their homes.
Deborah Del Vecchio, for one, is going to miss cooking for everyone's favorite Jersey mob family. Over the years, her three-level North Caldwell home has served as the "home" of several "Sopranos" characters -- Janice Soprano, Johnny Sack, Silvio Dante and Patsy Parisi. "I always cook for the cast and crew," Del Vecchio said. "Antipasto, baked ziti -- they all love my homemade chicken soup," especially Aida Turturro, who plays Janice.
Filming was last done in her home a week ago, and Del Vecchio reported no gunshots were fired.
Initially, her home was in the running to be Tony Soprano's house, but the ducks ruined it -- or the lack of ducks. Tony liked the ducks in his swimming pool, and though there were ducks in the Del Vecchios' pool, construction on the house next door drove them away. So another house was chosen for the mob don's dwelling.
Del Vecchio's husband, Richard, has his own fond memories of "The Sopranos." He appeared in one episode as a Bada Bing patron. "All I know is that he was smiling for three days," Del Vecchio said, laughing."
Thanks to Peter Genovese
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