Frank Calabrese Sr. was never a part of the Chicago Outfit, he told a prosecutor Tuesday, and he only pleaded guilty to mob-related loan-sharking in the 1990s to get two of his sons better deals in the same case.
Anyone who didn't believe him should ask one of the sons, who was sitting in court, Calabrese testified, suddenly pointing over the shoulder of Assistant U.S. Atty. John Scully at his son Kurt, who was sitting in the third row of the gallery at the Family Secrets trial.
"There's my son," Calabrese said loudly, rising out of his chair slightly. "Ask him, he'd be glad to tell you."
With that remark, Kurt Calabrese stood up and left the courtroom, waving his hand over his head back toward his father as he went through the doors.
With lawyers in the case preparing to make closing arguments as soon as next week, the landmark trial has increasingly become a showcase for how the Calabrese family splintered and what those divisions allegedly meant for Chicago organized crime. Frank Calabrese Sr. has seen his brother, Nicholas Calabrese, a made member of the mob, testify against him, and another of his sons, Frank Calabrese Jr., has done the same.
On Tuesday, Scully cross-examined Frank Calabrese Sr. using tapes Frank Calabrese Jr. secretly made of their conversations when the two were imprisoned together beginning in 1999.
For hours, Scully and the elder Calabrese argued and talked past each other, with Scully asserting that Calabrese was talking with his son about specific murders that are part of the case, and Calabrese insisting either that he was not, or that he was just trying to impress his son.
Prosecutors contend Calabrese mentions three of his four co-defendants in the case, including James Marcello, Joey "the Clown" Lombardo and former Chicago Police Officer Anthony Doyle. They, along with Paul "the Indian" Schiro, are alleged to have been a part of the broad conspiracy to further Outfit interests.
An intense Calabrese seemed to be trying his best to explain what he contends he was talking about Tuesday, answering questions in an earnest tone as if begging those in the courtroom to believe him. He leaned on the witness stand, shifted in his seat and at times sneered at Scully.
He wore a gray jacket and a dark shirt buttoned all the way up to his neck, looking like he might pop one of those buttons as he grew animated on the stand. Calabrese his said brother lied "like a pig" when he accused him of taking part in 13 murders for the mob.
"I never killed anybody," Calabrese said. He added that if he had killed someone, he would have killed the man who he believes shot his former partner, Larry Stubich. If he were a made member, "How come I don't get paid?" Calabrese said, arguing that no one has helped him financially since he has been incarcerated. "How come I don't get things like that? You know that."
Calabrese said he was jealous that his brother had better relationships with his sons than he did, so he tried to impress Frank Calabrese Jr. by talking about murders and a mob making ceremony with candles and burning of religious cards. But he said he got his knowledge from books, magazines and movies.
In the tape-recorded conversations, heavy with code, Calabrese allegedly can be heard talking about some of the high-profile murders in the case. Scully asked about the killings of Anthony and Michael Spilotro, William and Charlotte Dauber, William "Butch" Petrocelli, Hinsdale businessman Michael Cagnoni, Richard Ortiz and Arthur Morawski.
In a recording made in February 1999, Calabrese can be heard telling his son that the Spilotros were killed because Joseph "Doves" Aiuppa, the reputed head of the mob at the time, was angered that Anthony Spilotro was growing boastful. "It was on the street," Calabrese said Tuesday. "Everybody knew about that."
Calabrese denied helping to plan the bombing of Cagnoni, whose Mercedes was blown up on a ramp to the Tri-State Tollway. He said he was moved when Cagnoni's widow testified earlier in the trial.
In a March 1999 recording, Calabrese could be heard telling his son about placing a person under a spot near Comiskey Park that is now a parking lot, which prosecutors contend was the murder of Michael "Hambone" Albergo.
Calabrese first told Scully he was actually talking about burning a garage, but then said he was just impressing his son with a story when confronted with the portion of the transcript where he said he threw lime on the person's body. "Did you find a person there?" Calabrese asked Scully. A search of the spot in 2002 did not turn up human remains.
Calabrese also said he was not being truthful when he bragged in a recording to his son that Ortiz and Morawski had been torn up by "double-ought buckshot."
"I wanted to win my son over," he said.
Calabrese's other son, Kurt, is not expected to be called as a witness in the case, even after Calabrese's outburst. But the government may call Calabrese's former attorney, Jeffrey Steinback, after Calabrese testified earlier Tuesday that his 1997 guilty plea in the loan-sharking case was not fully explained to him. Calabrese said he didn't read the document and understand that he was pleading guilty to leading an Outfit crew that collected on juice loans by making threats.
Scully asked if he had admitted to making "multiple extortionate extensions of credit."
Calabrese said he didn't understand and had never looked at the allegation word for word. "I probably would've looked cross-eyed at myself," he said.
Thanks to Jeff Coen
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Thursday, August 23, 2007
Calabrese Mob Brothers Exchange the Judas Kiss for Christmas
It was Christmas Eve 1996, and reputed Outfit hit man Frank Calabrese Sr. was seeing his brother Nicholas out the door after breaking out the Napoleon brandy, when his brother made an unusual request.
"He walks to the door and says, 'Can I kiss you on the lips?' " Calabrese Sr. recounted to jurors in the Family Secrets trial Monday. "He kissed me on the lips," Calabrese Sr. said. Only later, Calabrese Sr. testified, would he realize "the kiss he gave for Christmas was a Judas kiss."
That night would be the last one when Calabrese Sr. would hear his brother talk at length -- until Nicholas Calabrese, now a confessed Outfit killer, took the stand in the Family Secrets trial to bury his brother and tell jurors how they murdered people together for the mob.
Calabrese Sr., on trial for allegedly killing 13 people for the Chicago mob, struck back against his family on Monday after first hearing his brother, Nicholas, and then his son, Frank Jr., testify against him.
Frank Calabrese Jr. told jurors how he secretly recorded his father while they were both in prison. Then jurors heard those recordings of Frank Calabrese Sr. apparently describing in detail various mob murders.
On Monday, in his first full day of testimony, Frank Calabrese Sr. tried to counter his family's testimony and explain his own recorded words.
Calabrese Sr., accused of being a mob crew leader, said his brother Nicholas was really in charge and compared him to the weak brother, Fredo, in the 1972 mob movie "The Godfather."
Except Calabrese Sr., in one example of many verbal slips throughout the trial, used the name "Alfredo."
"My brother was like Alfredo in 'The Godfather,' " Calabrese Sr. testified. "If he wasn't running things and screwing things up, he wasn't happy."
Weak though Nicholas Calabrese may be, he still turned Calabrese Sr.'s two eldest sons, Frank Jr. and Kurt, against him, Calabrese Sr. testified.
Calabrese Sr. accused his oldest son, Frank Jr., of repeatedly leading him into conversations while they were both in prison to make him sound like a murderous gangster. "He can make Jesus look like the devil on the cross," Calabrese Sr. said.
On one secret recording, Calabrese Sr. describes how top mobsters inducted him into the Chicago Outfit as a full member, how his finger was cut, how a holy card was burned in his hand.
On the stand, Calabrese Sr. scoffed at the notion that he was a made member.
So how did he know the ritual? "The Valachi Papers," Calabrese said, referring to the 1968 memoir by gangster Joseph Valachi. "I seen that in the book."
In another recording, Calabrese Sr. tells his son that he stripped the clothes off a man he had just killed. "I told him that to humor him," Calabrese Sr. explained.
Other times, Calabrese Sr. said, he just lied to scare his son out of mob life.
Calabrese Sr. blames his family for conspiring to keep him in prison, so they could steal his money. "Joe, I love my kids and my brother . . . it's just that they gotta grow up," Calabrese Sr. told his lawyer, Joseph R. Lopez.
Calabrese Sr. has strived to appear even-tempered, but his anger flared earlier in the day when the judge refused to let him detail how his family stole from him.
Calabrese Sr. snapped after the judge upheld another prosecution objection to his testimony.
The judge declined to let Calabrese Sr. testify about matters he couldn't prove and threatened him with contempt. "Your honor, how am I supposed to defend myself?" Calabrese Sr. said, his jaw clenched, his lower lip quivering with rage, the face of the kindly grandfather long gone.
"My brother was like Alfredo in 'The Godfather.' If he wasn't running things and screwing things up, he wasn't happy."
Thanks to Steve Warmbir
"He walks to the door and says, 'Can I kiss you on the lips?' " Calabrese Sr. recounted to jurors in the Family Secrets trial Monday. "He kissed me on the lips," Calabrese Sr. said. Only later, Calabrese Sr. testified, would he realize "the kiss he gave for Christmas was a Judas kiss."
That night would be the last one when Calabrese Sr. would hear his brother talk at length -- until Nicholas Calabrese, now a confessed Outfit killer, took the stand in the Family Secrets trial to bury his brother and tell jurors how they murdered people together for the mob.
Calabrese Sr., on trial for allegedly killing 13 people for the Chicago mob, struck back against his family on Monday after first hearing his brother, Nicholas, and then his son, Frank Jr., testify against him.
Frank Calabrese Jr. told jurors how he secretly recorded his father while they were both in prison. Then jurors heard those recordings of Frank Calabrese Sr. apparently describing in detail various mob murders.
On Monday, in his first full day of testimony, Frank Calabrese Sr. tried to counter his family's testimony and explain his own recorded words.
Calabrese Sr., accused of being a mob crew leader, said his brother Nicholas was really in charge and compared him to the weak brother, Fredo, in the 1972 mob movie "The Godfather."
Except Calabrese Sr., in one example of many verbal slips throughout the trial, used the name "Alfredo."
"My brother was like Alfredo in 'The Godfather,' " Calabrese Sr. testified. "If he wasn't running things and screwing things up, he wasn't happy."
Weak though Nicholas Calabrese may be, he still turned Calabrese Sr.'s two eldest sons, Frank Jr. and Kurt, against him, Calabrese Sr. testified.
Calabrese Sr. accused his oldest son, Frank Jr., of repeatedly leading him into conversations while they were both in prison to make him sound like a murderous gangster. "He can make Jesus look like the devil on the cross," Calabrese Sr. said.
On one secret recording, Calabrese Sr. describes how top mobsters inducted him into the Chicago Outfit as a full member, how his finger was cut, how a holy card was burned in his hand.
On the stand, Calabrese Sr. scoffed at the notion that he was a made member.
So how did he know the ritual? "The Valachi Papers," Calabrese said, referring to the 1968 memoir by gangster Joseph Valachi. "I seen that in the book."
In another recording, Calabrese Sr. tells his son that he stripped the clothes off a man he had just killed. "I told him that to humor him," Calabrese Sr. explained.
Other times, Calabrese Sr. said, he just lied to scare his son out of mob life.
Calabrese Sr. blames his family for conspiring to keep him in prison, so they could steal his money. "Joe, I love my kids and my brother . . . it's just that they gotta grow up," Calabrese Sr. told his lawyer, Joseph R. Lopez.
Calabrese Sr. has strived to appear even-tempered, but his anger flared earlier in the day when the judge refused to let him detail how his family stole from him.
Calabrese Sr. snapped after the judge upheld another prosecution objection to his testimony.
The judge declined to let Calabrese Sr. testify about matters he couldn't prove and threatened him with contempt. "Your honor, how am I supposed to defend myself?" Calabrese Sr. said, his jaw clenched, his lower lip quivering with rage, the face of the kindly grandfather long gone.
"My brother was like Alfredo in 'The Godfather.' If he wasn't running things and screwing things up, he wasn't happy."
Thanks to Steve Warmbir
Related Headlines
Family Secrets,
Frank Calabrese Jr.,
Frank Calabrese Sr.,
Nick Calabrese
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Announcement on Mafia 2 Made
2K Games, a publishing label of Take-Two Interactive Software, Inc. (NASDAQ: TTWO), today announced that it will publish MAFIA II, a sequel to the original Mafia title that sold more than two million copies worldwide and helped popularize the gangster genre. Featuring a deep mobster-driven narrative packed with both behind-the-wheel and on-foot action, Mafia 2 is the sequel fans have been clamoring for. The game is being developed by Illusion Softworks, developers of the original Mafia title, for next generation consoles and Games for Windows.
Like the original Mafia title, MAFIA II immerses players in the mob underworld of a fictitious late 1940's-early 1950's scenario. Players will easily become engaged in the game's cinematic Hollywood movie experience with strong, believable characters in a living, breathing city. By fusing high octane gunplay with white knuckle driving and an engaging narrative, Mafia 2 looks to be the industry's most compelling Mafia title to date.
"As the original Mafia was a big success, we are excited to leverage the power of next generation console technology to create an all-new experience, while embracing the elements that resonated with the previous game's fans," said Christoph Hartmann, President of 2K. "The 'wow' factor of MAFIA II is definitely the benchmark-setting visual quality and action that you expect to see only in Hollywood movies."
Like the original Mafia title, MAFIA II immerses players in the mob underworld of a fictitious late 1940's-early 1950's scenario. Players will easily become engaged in the game's cinematic Hollywood movie experience with strong, believable characters in a living, breathing city. By fusing high octane gunplay with white knuckle driving and an engaging narrative, Mafia 2 looks to be the industry's most compelling Mafia title to date.
"As the original Mafia was a big success, we are excited to leverage the power of next generation console technology to create an all-new experience, while embracing the elements that resonated with the previous game's fans," said Christoph Hartmann, President of 2K. "The 'wow' factor of MAFIA II is definitely the benchmark-setting visual quality and action that you expect to see only in Hollywood movies."
Tuesday, August 21, 2007
No Goodfellas in this Sordid Crew
Chicago mob trial exposes zero honour among thieves
By Josh Casey
Outfit enforcer 'Butch' Petrocelli before and after his alleged murder by the Calabrese brothers.
Forget about the clichés and the movies, the wiseguys and their broads, the snappy suits and sharp one-liners. Most of all forget about the men of honour concept laid bare for the risible oxymoron it always was in what has been billed as the biggest mob murder trial in U.S. history.
Instead, what has been playing out in the 25th Floor courtroom in front of Judge James B Zagel is a story of men barely above the morality of hyenas, who kill each other by the most barbaric methods for the flimsiest and most debased of motives.
And even those motives, such as they are, rarely seem to be more than the crude suppositions of simple minds reacting to rumour and guesswork no more profound than fishwives gossiping on a street corner. The difference is that gossips might sometimes smear a reputation a little, but with the characters exposed in the ‘Family Secrets’ trial, it can result in medieval murder, nearly always over money, or the notion that the victim might have betrayed them or might do so sometime in the future. And if they got it wrong - so what? The guy shouldn’t have been in the wrong place at the wrong time…
And that is what separates them from civilised citizens. It was once written by a political philosopher that the rule of law succeeded not generally because of a citizen’s fear of the consequences of not abiding by it, but because the majority of citizens recognised and accepted the necessity of restraints required for civil co-existence.
That essentially is the measure of decent people as opposed to those who reject restraints and disregard the rules others accept and comply with, however resentfully from time to time. We would all rather drive at whatever speed we felt like now and then, not wear crash helmets or seat belts, even party naked in the park from time to time, and might feel like wringing the neck of that noisy neighbour on the odd occasion. But that is a figure of speech; we don’t actually plan to force men to the ground and strangle and cut their throats open for any reasons, let alone unsubstantiated reasons all rooted in greed.
The difference with the people depicted in this trial is that they just will do that and so much worse, and without regard for either the rules of society, humanity, or for life itself.
In the movies, bad guys don’t get killed, they get ‘whacked’. It is usually depicted as exciting, even sexy: the set-up, the tension, the shooting, over and done, he had it coming anyway…ratatatat! A body in the street…the screeching of tyres…Warren Beatty, Harvey Keitel, Lee Marvin, Pesci, and DiNiro have kept us appallingly entertained with their apparently cinema verite depictions of gangsters who terrify and excite in the same measure, along with other actors and film makers who have used their skills to insinuate the image of these semi-romantic outlaw figures in our minds.
The reality of the Family Secrets crew is of two men wrenching on either end of a rope looped around a man’s neck, each with a foot braced against the victim’s skull, throttling him to death and then slicing his throat open for good measure. Butch Petrocelli, himself an Outfit enforcer, forced to the ground, strangled, his throat slashed, then doused in lighter fuel and burned. Or the Spilotro brothers, again held down and strangled and beaten with fists, boots and knees, or the unspeakable murder long ago of a man hung from a meat hook pierced through his rectum, then tortured to death over three days.
This is not the territory of the Godfather or The Soprano’s, the former risibly portrayed hoodlums as noble peasants elevating themselves by the only means available through some imagined re-creation of an alternative Roman Empire (a notion re-attributed to defendant, Frank Calabrese, in the testimony of his son recently), and the latter escaping all true evaluation by rarely departing from a slick caricature in black comedy.
Better cinematic representation can be found in The Funeral, a largely overlooked almost Shakespearean tale directed by Abel Ferrara, featuring the extraordinary talents of Christopher Walken and the late Christopher Penn in whose character is distilled the despair and depravity of the gangster’s life and fate. The two actors portray siblings in a criminal family of the 1930s, but the awful moment of truth of this film is stolen in just a few seconds of masterful portrayal by Annabella Sciorra. Playing Walken’s screen wife at a time of violent crisis, she talks to a younger woman while tearfully despairing of and rejecting the inevitability and brutality of their occupations, speaking words to the effect of: “…all because they have failed to rise above their illiterate and savage origins…”
That was the message underpinning the entire film - and it serves the so-called ‘Family Secrets’ trial in Chicago also - both portray gangsters as they should be seen, as squalid, uncivilised savages, not as handsome, slick suited outlaws. Such men (whether those in the courtroom or not, the jury have yet to decide) are just sadistic thugs who commit murder not for noble cause but for squalid greed and that should never be forgotten.
By Josh Casey
Forget about the clichés and the movies, the wiseguys and their broads, the snappy suits and sharp one-liners. Most of all forget about the men of honour concept laid bare for the risible oxymoron it always was in what has been billed as the biggest mob murder trial in U.S. history.
Instead, what has been playing out in the 25th Floor courtroom in front of Judge James B Zagel is a story of men barely above the morality of hyenas, who kill each other by the most barbaric methods for the flimsiest and most debased of motives.
And even those motives, such as they are, rarely seem to be more than the crude suppositions of simple minds reacting to rumour and guesswork no more profound than fishwives gossiping on a street corner. The difference is that gossips might sometimes smear a reputation a little, but with the characters exposed in the ‘Family Secrets’ trial, it can result in medieval murder, nearly always over money, or the notion that the victim might have betrayed them or might do so sometime in the future. And if they got it wrong - so what? The guy shouldn’t have been in the wrong place at the wrong time…
And that is what separates them from civilised citizens. It was once written by a political philosopher that the rule of law succeeded not generally because of a citizen’s fear of the consequences of not abiding by it, but because the majority of citizens recognised and accepted the necessity of restraints required for civil co-existence.
That essentially is the measure of decent people as opposed to those who reject restraints and disregard the rules others accept and comply with, however resentfully from time to time. We would all rather drive at whatever speed we felt like now and then, not wear crash helmets or seat belts, even party naked in the park from time to time, and might feel like wringing the neck of that noisy neighbour on the odd occasion. But that is a figure of speech; we don’t actually plan to force men to the ground and strangle and cut their throats open for any reasons, let alone unsubstantiated reasons all rooted in greed.
The difference with the people depicted in this trial is that they just will do that and so much worse, and without regard for either the rules of society, humanity, or for life itself.
In the movies, bad guys don’t get killed, they get ‘whacked’. It is usually depicted as exciting, even sexy: the set-up, the tension, the shooting, over and done, he had it coming anyway…ratatatat! A body in the street…the screeching of tyres…Warren Beatty, Harvey Keitel, Lee Marvin, Pesci, and DiNiro have kept us appallingly entertained with their apparently cinema verite depictions of gangsters who terrify and excite in the same measure, along with other actors and film makers who have used their skills to insinuate the image of these semi-romantic outlaw figures in our minds.
The reality of the Family Secrets crew is of two men wrenching on either end of a rope looped around a man’s neck, each with a foot braced against the victim’s skull, throttling him to death and then slicing his throat open for good measure. Butch Petrocelli, himself an Outfit enforcer, forced to the ground, strangled, his throat slashed, then doused in lighter fuel and burned. Or the Spilotro brothers, again held down and strangled and beaten with fists, boots and knees, or the unspeakable murder long ago of a man hung from a meat hook pierced through his rectum, then tortured to death over three days.
This is not the territory of the Godfather or The Soprano’s, the former risibly portrayed hoodlums as noble peasants elevating themselves by the only means available through some imagined re-creation of an alternative Roman Empire (a notion re-attributed to defendant, Frank Calabrese, in the testimony of his son recently), and the latter escaping all true evaluation by rarely departing from a slick caricature in black comedy.
Better cinematic representation can be found in The Funeral, a largely overlooked almost Shakespearean tale directed by Abel Ferrara, featuring the extraordinary talents of Christopher Walken and the late Christopher Penn in whose character is distilled the despair and depravity of the gangster’s life and fate. The two actors portray siblings in a criminal family of the 1930s, but the awful moment of truth of this film is stolen in just a few seconds of masterful portrayal by Annabella Sciorra. Playing Walken’s screen wife at a time of violent crisis, she talks to a younger woman while tearfully despairing of and rejecting the inevitability and brutality of their occupations, speaking words to the effect of: “…all because they have failed to rise above their illiterate and savage origins…”
That was the message underpinning the entire film - and it serves the so-called ‘Family Secrets’ trial in Chicago also - both portray gangsters as they should be seen, as squalid, uncivilised savages, not as handsome, slick suited outlaws. Such men (whether those in the courtroom or not, the jury have yet to decide) are just sadistic thugs who commit murder not for noble cause but for squalid greed and that should never be forgotten.
It's Still the Chicago Way, New Books Prove Nothing Changes
“Here is the difference between Dante, Milton, and me. They wrote about Hell and never saw the place. I wrote about Chicago after looking the town over for years and years.”
Those were the profound words of Carl Sandburg, published in his book of “Chicago Poems: Unabridged (Dover Thrift Editions)” in 1916.
Ninety-one years later, Chicago’s landscape may have changed, but the sordid souls, who poisoned Sandburg’s time, live here in infamy.
That much is evident after sitting through last week’s Operation Family Secrets trial in federal court in Chicago. Five elderly men connected to the Chicago Outfit are charged with running mob rackets and torturing and killing 18 people the past four decades by strangulation, beating and shooting, with ropes, ball bats, blowtorches, shotguns, fists and feet. But the five hoodlums with witty nicknames such as the Clown, the Breeze, Little Jimmy and Twan, didn’t operate without help from outside their secret organization.
Just as in Sandburg’s day, when the hell-bent were called Big Jim and the Fox, the mobsters of our era admit they bribed police and public officials to protect their illegal businesses.
Two new books prove that nothing has changed. Despite the modernization of Michigan Avenue, lakefront beautification and regular police department announcements that crime is declining, the dirty business of public corruption at the behest of the Outfit thrives.
In her book “Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul.” author Karen Abbott writes about the open sex trade in Chicago’s Levee District on the near South Side in the early 1900s. It focuses on the turn-of-the-previous-century whorehouse, the Everleigh Club. The story amounts to a blueprint for the modern rackets that the Calabrese/Lombardo Outfit is now on trial for allegedly running.
In 1900, dance hall operator Ike Bloom was in charge of making sure the police allowed bordello operators, call girls and pimps to freely conduct their business. "So integral was Bloom to the web of Levee graft that his portrait, handsomely framed, hung in a prominent place of honor in the squad room of the 22nd Street police station,” writes Abbott.
Below Bloom’s picture was a price list of the appropriate bribes to be paid to police: “Massage parlors: $25 weekly; Larger houses of ill fame, $50-$100 weekly, with $25 additional each week if drinks are sold; Saloons allowed to stay open after hours, $50 per month; Sale of liquor in apartment houses without license …”
The architects were First Ward Alderman “Bathhouse” John Coughlin and Democratic Party boss Michael “Hinky Dink” Kenna.
In a second new book, “The Tangled Web: The Life and Death of Richard Cain - Chicago Cop and Mafia Hitman,” author Michael J. Cain reports on the devilish work of his brother Dick. In the late 1950s and ’60s, Dick Cain was a Chicago police vice detective and then chief investigator for the Cook County Sheriff’s Department.
Author Cain says his brother was also “a made Mafia soldier and a protégé and informer for legendary mob boss Sam Giancana.”
Dick Cain was a Chicago mobster, groomed by the mob to be a Chicago cop. “Dick was one of a very small number that reported directly to Sam ‘Momo’ Giancana,” writes Michael Cain.
Dick Cain distributed weekly mob bribes to other cops, according to his brother, and tipped Outfit bosses to gambling and prostitution raids. When independent, non-mob rackets were raided, Cain would be seen in the next morning’s newspapers posed with a Tommy gun, a la Eliot Ness.
Cain’s mob work stretched to Mexico and Cuba and probably included murders, admits his brother. Dick Cain was killed in 1973, five days before Christmas. Two gunman ambushed him in a West Side sandwich shop.
Richard Cain and Sam Giancana’s corrupt DNA was the same that Ike Bloom and his ilk had in 1900. And now a century later, the bad genes are on display in Operation Family Secrets.
Testimony revealed that modern-day Chicago cops were on the Outfit payroll. Mob informants testified they were tipped off by dirty cops about upcoming raids.
An alleged Chicago mob boss testified about his cozy relationship with politically connected labor union bosses and with the late First Ward Alderman Fred Roti, who was convicted of corruption.
Another accused mob boss, who once bribed a U.S. senator, last week implicated all 50 Chicago aldermen in a payoff scheme to allow illegal gambling in their wards.
An admitted Outfit hit man pinned a suburban firebombing on one of Mayor Daley’s close friends.
So nothing changes. We just keep writing about Chicago, after looking the town over for years and years.
Thanks to Chuck Goudie
Those were the profound words of Carl Sandburg, published in his book of “Chicago Poems: Unabridged (Dover Thrift Editions)” in 1916.
Ninety-one years later, Chicago’s landscape may have changed, but the sordid souls, who poisoned Sandburg’s time, live here in infamy.
That much is evident after sitting through last week’s Operation Family Secrets trial in federal court in Chicago. Five elderly men connected to the Chicago Outfit are charged with running mob rackets and torturing and killing 18 people the past four decades by strangulation, beating and shooting, with ropes, ball bats, blowtorches, shotguns, fists and feet. But the five hoodlums with witty nicknames such as the Clown, the Breeze, Little Jimmy and Twan, didn’t operate without help from outside their secret organization.
Just as in Sandburg’s day, when the hell-bent were called Big Jim and the Fox, the mobsters of our era admit they bribed police and public officials to protect their illegal businesses.
Two new books prove that nothing has changed. Despite the modernization of Michigan Avenue, lakefront beautification and regular police department announcements that crime is declining, the dirty business of public corruption at the behest of the Outfit thrives.
In her book “Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul.” author Karen Abbott writes about the open sex trade in Chicago’s Levee District on the near South Side in the early 1900s. It focuses on the turn-of-the-previous-century whorehouse, the Everleigh Club. The story amounts to a blueprint for the modern rackets that the Calabrese/Lombardo Outfit is now on trial for allegedly running.
In 1900, dance hall operator Ike Bloom was in charge of making sure the police allowed bordello operators, call girls and pimps to freely conduct their business. "So integral was Bloom to the web of Levee graft that his portrait, handsomely framed, hung in a prominent place of honor in the squad room of the 22nd Street police station,” writes Abbott.
Below Bloom’s picture was a price list of the appropriate bribes to be paid to police: “Massage parlors: $25 weekly; Larger houses of ill fame, $50-$100 weekly, with $25 additional each week if drinks are sold; Saloons allowed to stay open after hours, $50 per month; Sale of liquor in apartment houses without license …”
The architects were First Ward Alderman “Bathhouse” John Coughlin and Democratic Party boss Michael “Hinky Dink” Kenna.
In a second new book, “The Tangled Web: The Life and Death of Richard Cain - Chicago Cop and Mafia Hitman,” author Michael J. Cain reports on the devilish work of his brother Dick. In the late 1950s and ’60s, Dick Cain was a Chicago police vice detective and then chief investigator for the Cook County Sheriff’s Department.
Author Cain says his brother was also “a made Mafia soldier and a protégé and informer for legendary mob boss Sam Giancana.”
Dick Cain was a Chicago mobster, groomed by the mob to be a Chicago cop. “Dick was one of a very small number that reported directly to Sam ‘Momo’ Giancana,” writes Michael Cain.
Dick Cain distributed weekly mob bribes to other cops, according to his brother, and tipped Outfit bosses to gambling and prostitution raids. When independent, non-mob rackets were raided, Cain would be seen in the next morning’s newspapers posed with a Tommy gun, a la Eliot Ness.
Cain’s mob work stretched to Mexico and Cuba and probably included murders, admits his brother. Dick Cain was killed in 1973, five days before Christmas. Two gunman ambushed him in a West Side sandwich shop.
Richard Cain and Sam Giancana’s corrupt DNA was the same that Ike Bloom and his ilk had in 1900. And now a century later, the bad genes are on display in Operation Family Secrets.
Testimony revealed that modern-day Chicago cops were on the Outfit payroll. Mob informants testified they were tipped off by dirty cops about upcoming raids.
An alleged Chicago mob boss testified about his cozy relationship with politically connected labor union bosses and with the late First Ward Alderman Fred Roti, who was convicted of corruption.
Another accused mob boss, who once bribed a U.S. senator, last week implicated all 50 Chicago aldermen in a payoff scheme to allow illegal gambling in their wards.
An admitted Outfit hit man pinned a suburban firebombing on one of Mayor Daley’s close friends.
So nothing changes. We just keep writing about Chicago, after looking the town over for years and years.
Thanks to Chuck Goudie
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