An organized-crime expert will discuss the history of the South Jersey-Philadelphia mob in a free lecture.
Thomas B. Cupples, a former FBI agent, will speak Oct. 15 at Burlington County College. His talk will begin at 5 p.m. in Room 320 of Laurel Hall.
The talk is hosted by the school's Criminal Justice Club.
For more information, contact ahart@bcc.edu.
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Sunday, October 12, 2008
Thursday, October 09, 2008
Relive the Roarin' Twenties in Al Capone Style in Chicago Today
Massacres, trap doors and Chicago jazz. It’s the way Al Capone and his Chicago Outfit experienced Chicago in the 1920s. The rich, bloody mark that Chicago’s mob bosses left on the streets is still — sometimes begrudgingly — remembered by many. Recently, we took a trip to Chicago to discover where the old speakeasies used to be and where the St. Valentines Day Massacre occurred, grabbing a pizza along the way.
Room 21
Don’t be fooled by the ornate designs, this restaurant has a dirty history. At the peak of Capone’s business, this was his largest speakeasy and brewery in all of Chicago.
At first glance, Room 21 is simply an upscale American restaurant with a large bar and a wide-open patio. In one corner, however, lies one of Capone’s best-kept secrets. “There was the original foundation here,” Manager John Nowowiejski said, motioning to the corner at the end of the bar. “But when we were doing some work putting the plumbing in for the cappuccino maker, we found something. So Jerry Kleiner, the owner said ‘tear it all down’ and we found this passageway.”
The passageway, now lit with an incandescent red glow, narrowly follows the edge of the building. You can see the original brick on either side, claustrophobically coercing you up the stairs. And under the newly added stairs, the top corner of a door peeks out. Leading to the street, the door was probably one of Capone’s exits.
Another door existed at the top of the stairs. “At the end of the passageway, we found a door with the number 21 hanging on it,” Nowowiejski said. “And that’s how we got the name of the restaurant.”
“We actually don’t know much of what happened here,” Nowowiejski said, opening the door at the end of the hall. The inside has been radically changed to a room with classical artwork and a table overlooking the kitchen. “The unknown about it adds to the mystique.”
Not only did Room 21 house Capone’s largest brewery, it was one of his largest busts. Eliot Ness of the Untouchables, the Chicago police group designed to deal with the mafia, led his team into the speakeasy with a 10-ton truck and seized two hundred thousand gallons of alcohol.
Getting there: Take the red line to Cermak/Chinatown and turn left until you get to South Wabash. 2110 S. Wabash St.
Green Mill Cocktail Lounge
To see one of Al Capone’s favorite clubs, head over to the Green Mill Cocktail Lounge. His booth is the first one you see walking past the old jazz posters and decorative walls. And don’t expect a menu; everything served here comes in a glass, not on a plate.
“Al Capone was also a regular here,” owner Dave Jemilo said. “He would sit in a booth by the wall so he could see both doors. That’s what you do. There was a way people could come from behind and get him, but he had guards to check his back.”
And if Capone ever needed a quick escape route, he had his own way out. “There was a trap door for him behind the bar where he could escape if need be,” Jemilo said. “There was a series of tunnels and passageways that would lead outside. I’m the only one with the key, and I wouldn’t let you down there anyway.”
Jack “Machine Gun” McGurn, one of the men responsible for the St. Valentine’s Day Massacre, was a part owner of the club at one point. And when the headlining singer left for a rival club, McGurn took action himself.
“His favorite singer at the club was Joe E. Lewis, but Lewis was offered a better deal at Rendezvous Club,” Jemilo said. “McGurn told Lewis that he signed a deal for life at Green Mill, but Lewis quit anyways. So a week later, McGurn went to Lewis’s hotel and cut off his tongue and slit his vocal cords so he could never sing again. He almost died, but he eventually came back as a comedian and became a famous comic.”
Frank Sinatra later immortalized Joe E. Lewis in The Joker Is Wild, a movie detailing the whole fiasco.
Getting there: Located off the Lawrence stop on the Red Line in Uptown, the Green Mill Cocktail Lounge is the perfect place for a drink before or after a show at the Aragon. 4802 N. Broadway Ave.
Chicago Pizza and Oven Grinder Co.
The St. Valentine’s Day Massacre of 1929 was the turning point for the infamous Chicago Outfit. While Capone was enjoying a vacation in Florida, part of his south-side gang, two dressed up as police officers, allegedly lined up four of Bugs Moran’s north-side gang inside a garage. With Moran’s gang against the wall, Capone’s henchmen opened fire. Jack “Machine Gun” McGurn, part owner of the Green Mill Cocktail Lounge, was the purported leader of the shooting.
Across the street on the second floor of what was a boarding house, two other members of Capone’s gang kept watch. And today, on the first floor, is Chicago Pizza and Oven Grinder Co., a unique and original restaurant located in the middle of Lincoln Park.
You can still see where the massacre took place, but there is no garage left. “Mayor Daley tore down the garage and now it’s an empty lot,” Manager Cathy Gallanis said. “No plaque or anything about it. He didn’t want a reminder of what happened.”
As for the pizza here, it isn’t what you would normally expect, Gallanis said. It’s called pizza pot pie. “We take a ceramic bowl layered with our homemade dough and then add a layer of cheese. Then we ladle in our homemade sauce, with or without sausage, and throw in whole, fresh mushrooms. We put some white or wheat dough on top and cook it. Then at the table, we flip it over and that’s it.”
Recently featured on Rachael Ray, Chicago Pizza and Oven Grinder Co. will continue to serve its unusual cooking. “In a world of franchises, we try to be unique and original,” Gallanis said. “We’ve had the same menu since we opened in 1978.”
Getting there: Get off at the Armitage stop on the brown line and head east on Armitage Street then north on Clark Street to pay homage to one of the most violent events of the 1920s, and one of the most forgotten places too. 2121 N. Clark St.
Tommy Gun’s Garage
To literally relive the Prohibition era (the drinking side of it, not the dry), head south to Tommy Gun’s Garage. Owners Kris Adams and Sandy Mangen emulate the original speakeasies to a tee, not leaving out any details.
“We’re running an illegal speakeasy here,” Adams said. “There are no signs out front, and we have a doorman to check everyone who comes in. He wears gloves so he won’t leave any fingerprints and he will only let you in if you say the password.”
The servers are not just servers, but gangsters with holsters or flappers with dresses. After dinner, the entertainment begins. “The show is basically a musical comedy review, “ Adams said. “We have the sing and dance numbers in the beginning and after that we have vaudeville skits with an Abbott and Costello type act. The show has a lot of audience involvement. At one point, the cops show up and bust everybody there.”
Getting there: Get off the El at Cermak/Chinatown on the Red line and turn left. Reservations are required, so call (312) 225-0273, and don’t forget the password. 2114 S. Wabash Rd.
For its tame Midwestern reputation, Chicago has a rich and violent history riddled with secrets and hidden tunnels. Next time you go downtown, add interest to your usual destinations by making a night of a mafia hangout. Your historical knowledge will impress your friends, your date, or your parents alike — and chilling where Capone chilled? Badass.
Thanks to Alex Freeman
Room 21
Don’t be fooled by the ornate designs, this restaurant has a dirty history. At the peak of Capone’s business, this was his largest speakeasy and brewery in all of Chicago.
At first glance, Room 21 is simply an upscale American restaurant with a large bar and a wide-open patio. In one corner, however, lies one of Capone’s best-kept secrets. “There was the original foundation here,” Manager John Nowowiejski said, motioning to the corner at the end of the bar. “But when we were doing some work putting the plumbing in for the cappuccino maker, we found something. So Jerry Kleiner, the owner said ‘tear it all down’ and we found this passageway.”
The passageway, now lit with an incandescent red glow, narrowly follows the edge of the building. You can see the original brick on either side, claustrophobically coercing you up the stairs. And under the newly added stairs, the top corner of a door peeks out. Leading to the street, the door was probably one of Capone’s exits.
Another door existed at the top of the stairs. “At the end of the passageway, we found a door with the number 21 hanging on it,” Nowowiejski said. “And that’s how we got the name of the restaurant.”
“We actually don’t know much of what happened here,” Nowowiejski said, opening the door at the end of the hall. The inside has been radically changed to a room with classical artwork and a table overlooking the kitchen. “The unknown about it adds to the mystique.”
Not only did Room 21 house Capone’s largest brewery, it was one of his largest busts. Eliot Ness of the Untouchables, the Chicago police group designed to deal with the mafia, led his team into the speakeasy with a 10-ton truck and seized two hundred thousand gallons of alcohol.
Getting there: Take the red line to Cermak/Chinatown and turn left until you get to South Wabash. 2110 S. Wabash St.
Green Mill Cocktail Lounge
To see one of Al Capone’s favorite clubs, head over to the Green Mill Cocktail Lounge. His booth is the first one you see walking past the old jazz posters and decorative walls. And don’t expect a menu; everything served here comes in a glass, not on a plate.
“Al Capone was also a regular here,” owner Dave Jemilo said. “He would sit in a booth by the wall so he could see both doors. That’s what you do. There was a way people could come from behind and get him, but he had guards to check his back.”
And if Capone ever needed a quick escape route, he had his own way out. “There was a trap door for him behind the bar where he could escape if need be,” Jemilo said. “There was a series of tunnels and passageways that would lead outside. I’m the only one with the key, and I wouldn’t let you down there anyway.”
Jack “Machine Gun” McGurn, one of the men responsible for the St. Valentine’s Day Massacre, was a part owner of the club at one point. And when the headlining singer left for a rival club, McGurn took action himself.
“His favorite singer at the club was Joe E. Lewis, but Lewis was offered a better deal at Rendezvous Club,” Jemilo said. “McGurn told Lewis that he signed a deal for life at Green Mill, but Lewis quit anyways. So a week later, McGurn went to Lewis’s hotel and cut off his tongue and slit his vocal cords so he could never sing again. He almost died, but he eventually came back as a comedian and became a famous comic.”
Frank Sinatra later immortalized Joe E. Lewis in The Joker Is Wild, a movie detailing the whole fiasco.
Getting there: Located off the Lawrence stop on the Red Line in Uptown, the Green Mill Cocktail Lounge is the perfect place for a drink before or after a show at the Aragon. 4802 N. Broadway Ave.
Chicago Pizza and Oven Grinder Co.
The St. Valentine’s Day Massacre of 1929 was the turning point for the infamous Chicago Outfit. While Capone was enjoying a vacation in Florida, part of his south-side gang, two dressed up as police officers, allegedly lined up four of Bugs Moran’s north-side gang inside a garage. With Moran’s gang against the wall, Capone’s henchmen opened fire. Jack “Machine Gun” McGurn, part owner of the Green Mill Cocktail Lounge, was the purported leader of the shooting.
Across the street on the second floor of what was a boarding house, two other members of Capone’s gang kept watch. And today, on the first floor, is Chicago Pizza and Oven Grinder Co., a unique and original restaurant located in the middle of Lincoln Park.
You can still see where the massacre took place, but there is no garage left. “Mayor Daley tore down the garage and now it’s an empty lot,” Manager Cathy Gallanis said. “No plaque or anything about it. He didn’t want a reminder of what happened.”
As for the pizza here, it isn’t what you would normally expect, Gallanis said. It’s called pizza pot pie. “We take a ceramic bowl layered with our homemade dough and then add a layer of cheese. Then we ladle in our homemade sauce, with or without sausage, and throw in whole, fresh mushrooms. We put some white or wheat dough on top and cook it. Then at the table, we flip it over and that’s it.”
Recently featured on Rachael Ray, Chicago Pizza and Oven Grinder Co. will continue to serve its unusual cooking. “In a world of franchises, we try to be unique and original,” Gallanis said. “We’ve had the same menu since we opened in 1978.”
Getting there: Get off at the Armitage stop on the brown line and head east on Armitage Street then north on Clark Street to pay homage to one of the most violent events of the 1920s, and one of the most forgotten places too. 2121 N. Clark St.
Tommy Gun’s Garage
To literally relive the Prohibition era (the drinking side of it, not the dry), head south to Tommy Gun’s Garage. Owners Kris Adams and Sandy Mangen emulate the original speakeasies to a tee, not leaving out any details.
“We’re running an illegal speakeasy here,” Adams said. “There are no signs out front, and we have a doorman to check everyone who comes in. He wears gloves so he won’t leave any fingerprints and he will only let you in if you say the password.”
The servers are not just servers, but gangsters with holsters or flappers with dresses. After dinner, the entertainment begins. “The show is basically a musical comedy review, “ Adams said. “We have the sing and dance numbers in the beginning and after that we have vaudeville skits with an Abbott and Costello type act. The show has a lot of audience involvement. At one point, the cops show up and bust everybody there.”
Getting there: Get off the El at Cermak/Chinatown on the Red line and turn left. Reservations are required, so call (312) 225-0273, and don’t forget the password. 2114 S. Wabash Rd.
For its tame Midwestern reputation, Chicago has a rich and violent history riddled with secrets and hidden tunnels. Next time you go downtown, add interest to your usual destinations by making a night of a mafia hangout. Your historical knowledge will impress your friends, your date, or your parents alike — and chilling where Capone chilled? Badass.
Thanks to Alex Freeman
Monday, October 06, 2008
Top Mob Fighter Stepping Down from the Chicago Crime Commission
After less than three years as head of the Chicago Crime Commission, James Wagner is stepping down for unstated "personal reasons."
The surprise announcement from the nation's oldest, private crime-fighting organization was made without fanfare in a Thursday afternoon fax from CCC Chairman Robert M. Fitzgerald. Fitzgerald cited Mr. Wagner's efforts in the commissions opposition to a Chicago-owned gambling casino and to the strengthening of state gaming regulations.
Wagner is a lifetime lawman who spent most of his time on the job as an FBI agent. As a career special agent with the FBI here in Chicago, he toiled for years on Outfit cases, eventually becoming supervisor of the organized crime squad.
Wagner had trained many of the federal agents whose investigation resulted in last year's convictions of top hoodlums Frank "The Breeze" Calabrese Sr., Joey "The Clown" Lombardo, James "Little Jimmy" Marcello and more than a dozen other Chicago mob figures in connection with 18 unsolved gangland murders.
Considered an expert on Chicago organized crime lore, Wagner was called as the first prosecution witness in the federal case known as Operation Family Secrets. His testimony set the stage in the landmark trial.
Wagner came to the CCC in January 2006 after a run as chief investigator for the Illinois Gaming Board. During his tenure, Wagner rejuvenated the crime commission's focus on it roots: the Chicago Mob.
Organized crime was raging when the commission was founded in 1919, the same year that Al Capone moved to Chicago.
The announcement of Wagner's departure doesn't indicate if he will be taking a new position elsewhere and he was not immediately available for comment.
Several directors of the crime commission offered praise for Wagner, noting the "many accomplishments" that occurred under his leadership. "He was the personification of the Chicago Crime Commission," said commission chairman Fitzgerald. According to the CCC statement, a successor has not been named.
Thanks to Chuck Goudie
The surprise announcement from the nation's oldest, private crime-fighting organization was made without fanfare in a Thursday afternoon fax from CCC Chairman Robert M. Fitzgerald. Fitzgerald cited Mr. Wagner's efforts in the commissions opposition to a Chicago-owned gambling casino and to the strengthening of state gaming regulations.
Wagner is a lifetime lawman who spent most of his time on the job as an FBI agent. As a career special agent with the FBI here in Chicago, he toiled for years on Outfit cases, eventually becoming supervisor of the organized crime squad.
Wagner had trained many of the federal agents whose investigation resulted in last year's convictions of top hoodlums Frank "The Breeze" Calabrese Sr., Joey "The Clown" Lombardo, James "Little Jimmy" Marcello and more than a dozen other Chicago mob figures in connection with 18 unsolved gangland murders.
Considered an expert on Chicago organized crime lore, Wagner was called as the first prosecution witness in the federal case known as Operation Family Secrets. His testimony set the stage in the landmark trial.
Wagner came to the CCC in January 2006 after a run as chief investigator for the Illinois Gaming Board. During his tenure, Wagner rejuvenated the crime commission's focus on it roots: the Chicago Mob.
Organized crime was raging when the commission was founded in 1919, the same year that Al Capone moved to Chicago.
The announcement of Wagner's departure doesn't indicate if he will be taking a new position elsewhere and he was not immediately available for comment.
Several directors of the crime commission offered praise for Wagner, noting the "many accomplishments" that occurred under his leadership. "He was the personification of the Chicago Crime Commission," said commission chairman Fitzgerald. According to the CCC statement, a successor has not been named.
Thanks to Chuck Goudie
Saturday, October 04, 2008
Martin Scorsese to Direct Robert DeNiro as Mob Assassin Frank "The Irishman" Sheeran
Paramount Pictures is plotting a return to organized crime for Martin Scorsese and Robert De Niro. Studio has set Steve Zaillian to adapt "I Heard You Paint Houses," the book about the mob assassin who many believe was involved in the death of Teamster boss Jimmy Hoffa.
Scorsese is attached to direct. De Niro will play Frank "the Irishman" Sheeran, who is reputed to have carried out more than 25 mob murders. Pic will be produced by Scorsese and Tribeca partners De Niro and Jane Rosenthal. Project landed at Paramount through the overall deal that the studio has with Scorsese’s Sikelia Prods.
Pic’s title refers to mob slang for contract killings, and the resulting blood splatter on walls and floors. Book was written by Charles Brandt, who befriended Sheeran shortly before the latter’s death in 2003. Among the crimes Sheeran confessed to Brandt, according to the 2004 book, was the killing and dismemberment of Hoffa, carried out on orders from mob boss Russell Bufalino.
Zaillian most recently scripted the Frank Lucas crime saga "American Gangster" and was a co-writer of the Scorsese-directed "Gangs of New York." Scorsese also brought in Zaillian to script "Schindler’s List," before turning over the project to Steven Spielberg and instead directing De Niro in "Cape Fear." Zaillian won an Oscar for his "Schindler’s List" script.
Scorsese just completed a screen adaptation of the Dennis Lehane novel "Shutter Island" for Paramount with Leonardo DiCaprio. He’s in the midst of settling on his next directing project, with "Silence," "The Wolf of Wall Street" and "The Long Play" at the top of his list.
De Niro has wrapped the Kirk Jones-directed "Everybody’s Fine" with Sam Rockwell, Kate Beckinsale and Drew Barrymore. He’s also plotting a re-team with "Heat" director Michael Mann on "Frankie Machine," an adaptation of the Don Winslow novel that is also at Paramount.
Thanks to Michael Flemming
Scorsese is attached to direct. De Niro will play Frank "the Irishman" Sheeran, who is reputed to have carried out more than 25 mob murders. Pic will be produced by Scorsese and Tribeca partners De Niro and Jane Rosenthal. Project landed at Paramount through the overall deal that the studio has with Scorsese’s Sikelia Prods.
Pic’s title refers to mob slang for contract killings, and the resulting blood splatter on walls and floors. Book was written by Charles Brandt, who befriended Sheeran shortly before the latter’s death in 2003. Among the crimes Sheeran confessed to Brandt, according to the 2004 book, was the killing and dismemberment of Hoffa, carried out on orders from mob boss Russell Bufalino.
Zaillian most recently scripted the Frank Lucas crime saga "American Gangster" and was a co-writer of the Scorsese-directed "Gangs of New York." Scorsese also brought in Zaillian to script "Schindler’s List," before turning over the project to Steven Spielberg and instead directing De Niro in "Cape Fear." Zaillian won an Oscar for his "Schindler’s List" script.
Scorsese just completed a screen adaptation of the Dennis Lehane novel "Shutter Island" for Paramount with Leonardo DiCaprio. He’s in the midst of settling on his next directing project, with "Silence," "The Wolf of Wall Street" and "The Long Play" at the top of his list.
De Niro has wrapped the Kirk Jones-directed "Everybody’s Fine" with Sam Rockwell, Kate Beckinsale and Drew Barrymore. He’s also plotting a re-team with "Heat" director Michael Mann on "Frankie Machine," an adaptation of the Don Winslow novel that is also at Paramount.
Thanks to Michael Flemming
The (redacted) Museum: The Las Vegas Museum of Organized Crime and Law Enforcement
Las Vegas hopes its newest museum will be a hit.
The city is opening The (redacted) Museum: The Las Vegas Museum of Organized Crime and Law Enforcement, which will showcase southern Nevada's colorful and storied past in organized crime.
The City Council unveiled the name Tuesday, along with logos resembling court documents with material blacked out. The first redaction obscures the word "mob."
"I don't think anybody is able to do tongue-in-cheek the way Las Vegas can do it," said Mayor Oscar Goodman, a former criminal defense lawyer who represented organized crime figures before representing residents in City Hall.
The museum is expected to open in spring 2010 in downtown Las Vegas at the site of the former federal courthouse where Goodman tried his first case.
As city officials unveiled the plans, council members tossed around T-shirts that said: "There is no such thing as a mob museum nor have I ever been there."
"Does this mean the mayor's going to be cleaning out his garage?" joked Councilwoman Lois Tarkanian.
Goodman joked of his possible contributions to the exhibits: "They've been in my backyard trying to dig up some of the old relics, but so far I've fended them off. We'll have a lot of Oscar-abilia in there."
Plans for the museum are supported by the FBI, which has pledged to locate organized crime artifacts in Washington and lend them for displays. The former head of the Las Vegas FBI office, Ellen Knowlton, is chairwoman of the museum's board.
Officials say the museum won't glorify organized crime, but instead will give a candid look at its influence on Las Vegas, how law enforcers worked to extract illegal influences from gambling, how mob operations in cities around the country were connected and famous hearings on organized crime.
The city believes the museum could draw as many as 800,000 visitors each year and is part of an attempt to revitalize downtown Las Vegas.
The mob theme was picked after a poll of 300 tourists showed more than 70 percent ranking the idea among its top three concepts. Other options included a behind-the-scenes look at gambling, a museum on magic or a museum dedicated to Las Vegas icons such as Frank Sinatra and Elvis Presley.
Thanks to Oskar Garcia
The city is opening The (redacted) Museum: The Las Vegas Museum of Organized Crime and Law Enforcement, which will showcase southern Nevada's colorful and storied past in organized crime.
The City Council unveiled the name Tuesday, along with logos resembling court documents with material blacked out. The first redaction obscures the word "mob."
"I don't think anybody is able to do tongue-in-cheek the way Las Vegas can do it," said Mayor Oscar Goodman, a former criminal defense lawyer who represented organized crime figures before representing residents in City Hall.
The museum is expected to open in spring 2010 in downtown Las Vegas at the site of the former federal courthouse where Goodman tried his first case.
As city officials unveiled the plans, council members tossed around T-shirts that said: "There is no such thing as a mob museum nor have I ever been there."
"Does this mean the mayor's going to be cleaning out his garage?" joked Councilwoman Lois Tarkanian.
Goodman joked of his possible contributions to the exhibits: "They've been in my backyard trying to dig up some of the old relics, but so far I've fended them off. We'll have a lot of Oscar-abilia in there."
Plans for the museum are supported by the FBI, which has pledged to locate organized crime artifacts in Washington and lend them for displays. The former head of the Las Vegas FBI office, Ellen Knowlton, is chairwoman of the museum's board.
Officials say the museum won't glorify organized crime, but instead will give a candid look at its influence on Las Vegas, how law enforcers worked to extract illegal influences from gambling, how mob operations in cities around the country were connected and famous hearings on organized crime.
The city believes the museum could draw as many as 800,000 visitors each year and is part of an attempt to revitalize downtown Las Vegas.
The mob theme was picked after a poll of 300 tourists showed more than 70 percent ranking the idea among its top three concepts. Other options included a behind-the-scenes look at gambling, a museum on magic or a museum dedicated to Las Vegas icons such as Frank Sinatra and Elvis Presley.
Thanks to Oskar Garcia
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